The final installment of The Bane Chronicles arrives next week (March 18). In The Course of True Love (And First Dates), titular character Magnus Bane shares his first date with Alec Lightwood. Check out our first look at the cover above. And now that we’ve (almost) reached the end of the spin-off series by Cassandra Clare, Maureen Johnson, and Sarah Rees Brennan we can talk about the hardcover release of The Bane Chronicles. Due Nov. 11, the book will feature the 10 already-released original e-short stories, and will include a never-before-seen 11th tale. The hardcover will also feature 10 illustrated scenes. Are you excited about The Bane Chronicles, Shelf Lifers?
Tag: YA (1-10 of 295)
Hollywood hasn’t finished with the story trend of teens struggling to find their identity in a post-apocalyptic dystopia yet. The most recent YA novel to get snatched up by movie executives is Grasshopper Jungle, which was just optioned by Sony. Scott Rosenberg (Con Air, Beautiful Girls, High Fidelity) plans to adapt the script. The novel is about a 16-year-old boy who inadvertently unleashes a plague of insects that turn the populace into mindless super-soldiers looking to eat, have sex and kill things — basically a bizarre take on the Pandora’s Box myth. Apparently author Andrew Smith carries it off with some verve though because we gave it an A- in our review. Movie-wise, I’d say this would come in around Planet of the Apes mixed with 28 Days Later and multiplied by that Buffy the Vampire Slayer episode, “Teachers Pet.” Can’t wait.
A new campaign called Let Books Be Books aims to end gender bias in the presentation of children’s books. They’re calling for publishers to remove “for boys” and “for girls” labels from kids books, as well as make the covers more gender neutral. This idea has been swirling for a long time, but it seems to be gaining more momentum recently…or maybe I’m just thinking of that amazing GoldieBox commercial for girl’s toys. [Guardian]
On that note, there’s a great essay by Anna Holmes in The New Yorker called “How to be a Good Bad American Girl.” Holmes looks at the legacy of troublesome little girls in American literature, specifically Harriet the Spy and To Kill A Mockingbird. “Harper Lee and Louise Fitzhugh taught their readers that difference, nonconformity, and even subversion should be celebrated in young girls,” she writes. “These qualities are the prerequisites for, and not the enemies of, creativity, curiosity, and insight.” [New Yorker]
The longlist of 20 nominees for the Baileys Women’s Prize for Fiction was just announced today. Lots of great women made the cut. I don’t envy the judges’ job of narrowing this down to a winner for June, 4th. Check out the nominees below.
- Chimamanda Ngozi Adichie, Americanah
- Margaret Atwood, MaddAddam
- Suzanne Berne, The Dogs of Littlefield
- Fatima Bhutto, The Shadow of the Crescent Moon
- Claire Cameron, The Bear
- Lea Carpenter, Eleven Days
- M.J. Carter, The Strangler Vine
- Eleanor Catton, The Luminaries
- Deborah Kay Davies, Reasons She Goes to the Woods
- Elizabeth Gilbert, The Signature of All Things
- Hannah Kent, Burial Rites
- Rachel Kushner, The Flamethrowers
- Jhumpa Lahiri, The Lowland
- Audrey Magee, The Undertaking
- Eimear McBride, A Girl Is A Half-Formed Thing
- Charlotte Mendelson, Almost English
- Anna Quindlen, Still Life with Bread Crumbs
- Elizabeth Strout, The Burgess Boys
- Donna Tartt, The Goldfinch
- Evie Wyld, All The Birds, Singing
Get ready for a cuteness overload. Thirteen-year-old Nate Foster (of Tim Federle’s Better Nate Than Ever and the newly released sequel Five, Six, Seven, Nate!) recently took a break from rehearsals for E.T.: The Broadway Musical to interview Oscar winner Octavia Spencer, author of The Case of the Time-Capsule Bandit. Spencer imparts wisdom and wit that will enlighten us all, whether or not we’re budding Broadway stars. READ FULL STORY
Simon & Schuster are bringing Judy Blume to a whole new generation by repackaging some of the beloved author’s best-known novels. EW already revealed the other updated looks—check them out here and here. Today we’ve got a peek at the new cover for Then Again, Maybe I Won’t (above), featuring the tagline “Why can’t things stay the same?” What do you think of the, Shelf Lifers? These editions will be available beginning April 29.
We’ve got Divergent fever over here at EW. Just check out this week’s cover. To add some more fuel to the YA fire, we’ve got an exclusive first look at the covers of Four: A Divergent Collection. Four is a companion volume to the Divergent series. The hardcover includes four pre-Divergent stories told from Tobias’s point of view, along with two exclusive scenes, also told from his point of view. Each of the stories will be available separately in electronic format. The first story, “The Transfer,” was released last year and the others will be released on July 8—the same day as the hardcover collection.
The first three pieces in this volume—“The Transfer,” “The Initiate,” and “The Son”—follow Tobias’s transfer from Abnegation to Dauntless, his Dauntless initiation, and the first clues that a foul plan is brewing in the leadership of two factions. The fourth story, “The Traitor,” runs parallel with the events of Divergent, giving readers a glimpse into the decisions of loyalty—and love—that Tobias makes in the weeks after he meets Tris Prior. So without further ado, check out the brand-new covers!
Half Bad, the first book in Sally Green’s highly anticipated new trilogy, hits shelves March 4. The novel has already sold in 45 countries and been optioned for film by Fox, with Karen Rosenfelt (Twilight) producing. And if that’s not enough proof that people are excited about Half Bad, even other author’s are raving about it: Life After Life‘s Kate Atkinson said, “A book about witches with no owls and not a pair of round spectacles in sight. The new Hunger Games, I suspect.” READ FULL STORY
See the cover of Becca Fitzpatrick's 'Black Ice'. Plus, an announcement about her next book -- EXCLUSIVE
We’ve got exciting news for Becca Fitzpatrick fans! Her next novel, Black Ice, doesn’t hit shelves until Oct. 7, but here’s an exclusive first look at the cover (above). “The cover captures not only the ruthless setting, but the characters as well,” Fitzpatrick told EW in an exclusive statement. “Under the winter layers, we catch a glimpse of an irresistible bad boy—the kind I love writing so much.” READ FULL STORY
Since 2009 the good people at VIDA have been trucking away counting bylines and book titles to give us the hard data on gender equality in literary journals. The 2013 VIDA count just went up today and the general consensus is that there is still a disparity between men and women when it comes to literary coverage — both in whose doing the writing and in whose being written about. The highlights:
– Most improved this year goes to The Paris Review. “The Paris Review’s numbers, previously among the worst in our VIDA Count, have metamorphosed from deep, male-dominated lopsidedness into a picture more closely resembling gender parity. While such progress is remarkable in one year, we are likewise pleased to note that we haven’t heard anyone bemoan a drop in quality in The Paris Review’s pages.”
– Poetry Magazine is consistently the most equal.
– The least gender equal with at least 75% male representation: The Atlantic, London Review of Books, New Republic, The Nation, New York Review of Books (actually holding steady at 80% men for four years) and New Yorker.
– Journals that skew more than 50% female: Tin House, Callaloo, The Gettysburg Review, Prairie Schooner, New American Writing, and Ninth Letter.
Amtrak is contemplating a “writers’ residency” program on their trains, which would allow writers to travel for free (or at least for cheap). They’ve already hooked up Jessica Gross, who contributes to the New York Times Magazine. Gross got to ride for free from New York to Chicago and back (straight through 44 hours, no hanging out in the Windy City.) After the trip, she wrote a piece for The Paris Review on her time. Sounds a little like…how do I say this? Hell. A 44 hour train ride with no destination? To me, the draw of writing on trains is open adventure, being in the Tuscan hills with nothing ahead of you except sunflowers and vineyards. Or being on the Orient Express scoping each new passenger for murderous intent in between exploring Egyptian ruins. Somehow being trapped on a commuter train between NYC and Chi-town sounds more like living Sartre’s No Exit. [The Wire]
Rick Yancy’s The 5th Wave has won the 2014 Red House Children’s Book Award (a unique award because it’s voted for entirely by children). Big surprise: the YA novel is set in a post-apocalypse dystopia. The plot follows Cassie who is left alone, after waves of extinctions, running for her life from death squads roaming the countryside. But she meets a boy named Edward — no, Peeta — no, it’s Evan this time who might be the key to her survival. [The Guardian]
It’s the final countdown! Dreams of Gods & Monsters, the last novel in Laini Taylor’s Daughter of Smoke & Bone trilogy, hits shelves April 8. Dreams picks up where Days of Blood & Starlight left off. And while you have to wait a little longer for the series’ epic conclusion, you can go ahead and read the first chapter—titled “Nightmare Ice Cream”—right now. Check it out after the jump. READ FULL STORY
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