For those of you anticipating Nov. 16th — the release of the final Twilight movie — with a mix of utmost dread and excitement, the good folks at Little, Brown will be releasing the definitive, lushly photographed tome to commemorate the record-breaking film series on Oct. 9. EW got the first peek at the cover and the scoop on what you can find inside — from the looks of it, you’ll have a hard time prying this must-have from a true Twihard’s cold, dead hands. Feast your eyes below! READ FULL STORY
Tag: Twilight (11-20 of 32)
What we find in this exclusive excerpt from the opening of Tempest, the debut YA novel from Julie Cross, is that its cocky, time-shifting 19-year-old protagonist doesn’t understand the rules himself, and is struggling to figure out this strange, apparently instinctive power — though, like most kids that age, he’s not all that serious about his potential until trouble strikes.
Click here for a link to the first four chapters of the book, which comes out in its entirety Jan. 3, and let us know what you think in the comments.
Expectations are high for the novel, which has already had its film rights optioned by Summit Entertainment, the studio that produces the Twilight films. By releasing such a significant portion of the book four months early — and for free — publisher Thomas Dunne Books is, sort of like the hero of Tempest, hoping some actions taken in the past will positively influence the future.
See below for more theories on the excerpt.
The official 543-page encyclopedia to Stephenie Meyer’s Twilight series hit bookstores Tuesday, offering in-depth profiles of even the most peripheral characters, outtakes from the novels, genealogical charts, and original illustrations (including the sketch of Bella’s wedding dress seen exclusively on EW.com last week). Meyer clearly wanted The Illustrated Guide to supplement her series, to put on paper the world she carried for so long in her head. Some of the book’s notable tidbits:
—It includes a 2008 Q&A between Meyer and her friend Shannon Hale (Princess Academy) in which Meyer says Jacob was originally an afterthought. “Jacob was born — as a device really — to tell Bella what she needed to know [about Edward being a vampire].”
—Edward’s first human victim was actually Esme’s abusive ex-husband from her pre-vampire days. (Edward tracked him down and sought vengeance for his adopted mother.)
—When Quileute Leah Clearwater first turned into a werewolf, the shock of seeing her transformation caused her father (and Charlie Swan’s best friend) Harry Clearwater to have a heart attack.
—Bella’s parents met at First Beach, on the La Push reservation, during Charlie’s rookie year on the police force. They fell in love and were married within a few weeks.
—Meyer offers an annotated playlist of songs that influenced certain moments in the series. The description of Edward and Bella’s first dance as husband and wife was inspired by Muse’s “Can’t Take My Eyes Off of You.”
—The book outtakes include a section cut from New Moon in which Bella got high on Percocet after slugging Jacob and hurting her hand. “How’s your arm?” “I can’t feel it. Is it still there?”
Twilight fans — who’s bought the book? Who’s planning to (or not planning to)?
Stephen King’s ‘Salem’s Lot helped to bring vampires back to their Bram Stoker origins, with an emphasis on the heartless, frightening nature of the bloodsuckers combined with a side-focus on real estate, so he knows a little something about the creatures of the night. In his introduction to the first volume of the upcoming American Vampire series from DC Comics, the horror maestro makes his feelings about how vampires should really be portrayed known: That is, as truly monstrous and evil, not fanged and fabulous. And most definitely not as “lovelorn southern gentlemen,” “anorexic teenage girls,” or “boy-toys with big dewy eyes.”
So is King right? Does scary beat sexy? Are you excited for American Vampire?
How many times have I heard that in the two years since The Hunger Games came out? Too many too count. And I have to say, it continues to baffle me: These novels could not be more different. Stephenie Meyer’s is more of a traditional romance (populated, I grant you, by some pretty untraditional characters); while Suzanne Collins’ is a tale of war and survival.
Is it that both books star unforgettable women? I suppose you could say that in the most sweeping and general sense, Katniss Everdeen and Bella Swan are alike: Both have cores of steel. They know what they want, and they aren’t going to back down. But for me, any similarity ends there.
Forged by famine, disease, and unbelievable hardship, Katniss, 16, regularly slips beneath the electrified barbed wire fence to hunt and forage for her her family–a crime punishable by death. She’s not interested in romance. She’s not big on forgiveness (even when it comes to her own mother). And when her younger sister, Primrose, is selected by lottery to participate in the barbaric murder ritual called The Hunger Games, Katniss steps in and takes her place. Bella, on the other hand, has known sadness but not poverty or want. Arriving in Forks to live with her dad, knowing no one, she’s the shy girl, the outcast, who’s suddenly plucked from obscurity by the ravishingly handsome Edward Cullen. Hers is the stuff of classic fairy tales; she’s a princess who must be rescued, time and time again, by her one of her two prince charmings, either the vampire or the werewolf. Frankly, compared to Katniss, Bella is simply the more passive character: For the most part, things happen to her. Katniss, on the other hand, copes with disaster by strategizing–and bulldozing–her way through the situation. Does she ever need to be rescued? Absolutely. But she also rescues Peeta–a real or feigned love interest?–more than once along the way.
That brings me to the love triangle issue. Could it be that people compare the two books because their heroines must choose between two men? Again, I don’t find this valid. Bella, it seems to me, never wavers in her love for Edward, despite Jacob’s devotion. In contrast, I’m left with the feeling that Katniss may very well not know what love is at all. She may have been too badly damaged by war, by deprivation, by emotional and physical torture to ever be able to love fully and normally. Whatever she feels for Peeta or for Gale, it isn’t the headlong devotion Bella has for Edward. More importantly, the question of whom Katniss will end up with isn’t what drives the narrative. In other words, the question isn’t, Which one will she marry? The question is, Will she live until the end of the book?
So weigh in, Shelf Lifers. Do you think Twilight and The Hunger Games tread the same territory?
Richelle Mead’s Vampire Academy series has been a hit since the first book was released in 2007. The fifth and latest installment, Spirit Bound, comes out May 18. We have an exclusive first look at the book’s trailer, which will air during Thursday night’s season finale of the Vampire Diaries and as a preview before this summer’s highly anticipated movie Eclipse.
Mead spoke with EW.com about the trailer, what fans can expect from her new book, and she’s doing next.
What can you tell us about Spirit Bound?
Spirit Bound takes place almost entirely outside of the school that gives the series its name, so that’s kind of ironic and funny. The characters are sort of on their own now, so we get to see what they do when they’re not within the confines of teachers and school rules. It’s less of a tearjerker; the other ones had these big sudden shockers that tended to leave people crying, so I would get email for weeks after the books came out that with people telling me how I left them sobbing. I don’t think there will be quite as much as that, but I can’t always tell that. This is going to be more twists in the story of the ‘Oh my God’ variety. People will still be surprised, and there’s still a cliffhanger, buy I think it will be less emotionally traumatic.
How did you create the series?
I’d been writing adult books sort of in the same genre, the paranormal urban fantasy realm, before that. I had two series, one about demons and one about fairies, and at the time I had extra time on my hands and I wanted to try something for young adults. I was kind of running out of paranormal creatures, so I thought, ‘Well, let’s do vampires,’ little knowing what I was getting into at the time with teen vampires. I had no idea it was about to become a phenomenon unto itself. READ FULL STORY
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