Google’s new e-books store launched today, offering over 3 million titles in a new format that will compete directly with established retailers like Amazon. The store offers everything from the latest bestsellers (mostly in the $9 to $15 range) to public domain classics like Moby Dick (free, unless you think in terms of time=money, in which case it has its usual price of around $800,000).
Tag: Publishing Biz (71-80 of 120)
Grand Central Publishing announced late this afternoon that they have acquired Dan Rather’s autobiography, Summing Up.
According to a press release, it will be written in the same “‘boots-on-the ground’ spirit that Dan Rather has pioneered in his long and illustrious journalism career,” and will range from JFK’s assassination to Vietnam, Watergate, and the wars in Afghanistan and and Iraq. The company tentatively plans to publish in Spring 2012.
Count me in as a reader: I’ve always admired Rather. How about all of you?
Deadline reports. It makes sense, considering that Handler has written three books already, all of which have sold like hilarious, readable hotcakes—Are You There, Vodka? It’s Me, Chelsea and her latest Chelsea Chelsea Bang Bang both spent weeks numbering in the double-digits on the bestsellers chart. Handler already has a three-book deal for the new imprint, Borderline Amazing / A Chelsea Handler Book, the first of which, titled Lies That Chelsea Handler Told Me, is set to release in May 2011.Grand Central Publishing has given comedienne and late-night host Chelsea Handler her own imprint,
While Chelsea Lately may not get quite as many eyes as her competitors, being a successful enough writer to garner your own imprint at a major publishing house is no mean feat. I’m sure Chunk is quite proud of his owner.
Grove Atlantic has announced that they will be bringing back the Mysterious Press, a mystery-specific imprint that was originally launched in 1975. What’s more, Otto Penzler, the well-known editor of mysteries and thrillers, as well as the proprietor of New York City’s The Mysterious Bookshop, is on board to help the imprint publish 10 to 12 books a year in both hardcover and paperback. The plot thickens, or at least the mystery-publishing business does.
The Kama Sutra, that ancient sexual almanac, is being published as an audiobook. Hopefully, it won’t be read by Gilbert Gottfried.
Sean Penn is in negotiations to play Max Perkins, the famously oddball editor who worked with Fitzgerald and Hemingway.
NPR listeners love thrills, and apparently not just the thrill of finding a bug in their Kashi. Fans of public radio cast their ballots for the top 100 thrillers of all time.
Come, let’s away to prison. An antiques dealer caught with a 387-year-old stolen Shakespeare folio was sentenced to eight years in jail.
Neil Gaiman blogs about a Russian magazine that superfluously photoshopped his hair.
Twilight is significantly affecting how Americans name their babies, with a marked increase in Cullens and Bellas. All I can say is thank goodness this didn’t happen with Dr. Seuss, or we’d all be named things like Phooswacker and Bortle.
Gallery Books, an imprint of Simon & Schuster, has announced plans to publish a memoir from Charlie’s Angel Kate Jackson.
Ever since investigative reporter Joe McGinniss rented the house next door, the Palins have avoided their front lawn.
Has sex disappeared from the British novel?! Onetime British poet laureate Andrew Motion thinks so. He told the Guardian, “It’s as if [writers] were paranoid about being nominated for the Bad Sex Award,” referring to one of the country’s more colorful literary prizes. The Guardian‘s piece comes with a list of “Literary Lust” milestones.
The man given access to the manuscripts of J.G. Ballard—author of Crash—reports on what he’s found thus far.
Andrew Wylie is one of the book world’s most notorious agents who, in reality show parlance, definitely isn’t here to make friends. Dubbed “the Jackal,” if that gives you an idea of how he’s viewed, Wylie is best known for successfully extracting enormous advances from publishers for his big-name clients, as well as poaching authors from other agents. Now the highly visible agent, whose stable includes the likes of Dave Eggers, Salman Rushdie and Philip Roth (as well as the estates of Nabokov and Updike) is creating a stir in the realm of e-books.
Last week Wylie signed a deal with Amazon for exclusive e-book rights to his clients’ novels, including such classics as Roth’s Portnoy’s Complaint and Ralph Ellison’s Invisible Man. For at least two years, these works will only be available via the online retailer and only on Amazon’s Kindle or devices with the downloaded Kindle app. Many are considering this a literary monopoly, vertical integration for a medium barely into its infancy. And where even the famously hermetic and anti-third party iPad permits users to download e-books from a variety of sources, the Kindle only allows readers to access digital copies from Amazon. Random House, which published a number of the titles covered by the deal, has since announced their intentions to dispute its legality. Random House spokesman Stuart Applebaum issued a statement which said, in part, “The Wylie Agency’s decision to sell e-books exclusively to Amazon for titles which are subject to active Random House agreements undermines our longstanding commitments to and investments in our authors, and it establishes this Agency as our direct competitor. Therefore, regrettably, Random House on a worldwide basis will not be entering into any new English-language business agreements with the Wylie Agency until this situation is resolved.”
Square Books, an independent bookstore in Oxford, Mississippi, has a compelling take on the whole situation.
What do you think about the issue, Shelf Lifers?
There are two kinds of people in the world: those who hear the sound of gunfire and bolt in the opposite direction, and those who run toward it. For the past 15 years, Sebastian Junger has made his reputation as the latter. He’s donned a flak jacket to cover wars in lawless lands like Liberia and Sierra Leone. He’s been held prisoner by armed militants in Nigeria. And for his latest book, the harrowing and hard-to-put-down War, he spent 15 months embedded with the U.S. Army’s Battle Company in Afghanistan’s Korengal Valley — a remote and vicious mountain region in the eastern part of the country that he describes as “too remote to conquer, too poor to intimidate, too autonomous to buy off.”
We spoke with Junger for a profile in this week’s issue of EW. Here are some of the outtakes from that interview.
ENTERTAINMENT WEEKLY: When you embedded with Battle Company, you were more than just a reporter with a notebook, you and veteran British war photographer Tim Hetherington also brought video cameras to film the missions (the footage of which was edited into the Sundance-winning documentary Restrepo). How did having a camera help you with the book?
SEBASTIAN JUNGER: It certainly helped me as a journalist. It’s very immediate and very exact. So I would use the video tape as a reference for myself when I was writing. I mean, we’re visual creatures. Most of our information comes through our eyes. Reading ultimately is a cerebral activity, it takes place in your mind. And it’s a way of making reading visual.
Did being preoccupied with filming, help make you less scared?
The camera gave me a reason for being there. I think if your house is burning down and you had your child in your harms you wouldn’t be thinking of yourself. And if you were by yourself and your house was burning down, you’d be terrified what was going to happen to you. The camera was like my baby. It was the thing I was supposed to take care of. My job was to get video. Once I was caught without my video camera in a fire fight, all I could think about was my safety. I had no role. So it really did make a difference. And I’m pretty sure that it works the same way with weapons.
How did you get your start as a war correspondent?
I was 31. I went to Bosnia and I started filing freelance radio reports for 40 dollars a pop. It was the bottom of the journalistic food chain, but I was part of this world of foreign reporting. I was nothing on the food chain, but I was completely intoxicated by it. It was exciting and world events were happening right around me…It was like a drug. READ FULL STORY
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