++ Furious Love, Sam Kashner and Nancy Schoenberger’s in-depth chronicle of the late Elizabeth Taylor’s passionate, volatile love affair and two marriages to Richard Burton, has been optioned by Paramount Pictures as a future directing project for Martin Scorsese, Deadline reports. Taylor and Burton met on the set of Cleopatra, setting off a worldwide media frenzy and perhaps the modern day obsession with celebrity couplings. Vanity Fair ran a lengthy excerpt of Furious Love as a cover story last summer. READ FULL STORY
Tag: Graphic Novels (31-40 of 45)
The venerable DC title gets an artsy makeover with some substance, via Vertigo, and with a beautiful Paul Pope-adelic cover. A few too many of the nine stories resort to surprise endings anyone who’s ever seen The Twilight Zone will see coming a mile away. (The art, however, by people such as Denys Cowan, Juan Bobillo, and Inaki Miranda, is terrific.) One stand-out: Writer-artist Jeff Lemire’s updating of “Ultra the Multi-Alien” is fantastic – witty and beautiful, invoking a Silver Age past without resorting to nostalgia. And the start of a new Brain Azzarello/Eduardo Rizzo collaboration, “Spaceman,” represents sci-fi comic-book created on an addictive, mind-blowing level. READ FULL STORY
Flashpoint, the big new DC Comics storyline that started last week with the first of five issues, and turns out to be not just ultra-flashy, but also reminds me a little of — what else? — a TV show. READ FULL STORY
Billed as a “96-page Spectacular,” Action Comics #900, released today, is most spectacular in bringing to a close writer Paul Cornell’s clever Lex Luthor storyline. For a while now, Luthor has replaced Superman as the central figure in Action Comics, one of the oldest titles in comic-book history and the one that introduced Superman in 1938. READ FULL STORY
I posted my disdain for the comic book industry’s penchant for killing iconic superheroes for the sake of spurring sales and media attention, especially when those deaths don’t stick and are reversed by equally ballyhooed resurrection stories. The latest culprit: Marvel Comics, which not long ago murdered/revived Captain America, today publishes Fantastic Four #587, which will bump off a member of the crime-fighting quartet. Mr. Fantastic? Invisible Woman? The Thing? The Human Torch? The answer is for sale — sealed in plastic (no free peeks!) — at a comic book store near you…or available on the Web, via news outlets who’ve decided to spoil the news. If you wish to be spoiled, I direct you to the very cool Geoff Boucher of The Los Angeles Times, who has an interview with the comic’s writer, Jonathan Hickman. READ FULL STORYLast week,
Joss Whedon talks about the end of the 'Buffy the Vampire Slayer' Season 8 comic, and the future of Season 9 -- EXCLUSIVE
But for nearly four years, Buffy’s story has lived on in creator Joss Whedon’s “Season 8″ comic book series, which finishes its 40-issue run today. Whoa, boy, did things go down. (WARNING: Some big time spoilers follow, for both “Season 8″ and the impending “Season 9.” Consider yourself warned now.) Over the course of the “season,” Buffy became a god, battled (and boinked) her ex Angel, and watched him kill her mentor Giles. And then she effectively destroyed the seed of all magic on earth. Issue No. 40 deals with the aftermath, and — as Whedon makes clear in his exclusive Q&A with EW — it also gives some pointed hints for what to expect in Buffy “Season 9.” Whedon also talks about his new comic series about Angel with publisher Dark Horse, some of his controversial plot turns in “Season 8″ — Buffy goes lesbian? Xander and Dawn get domestic? — and what actor Anthony Stewart Head’s reaction was when Whedon told him his character Rupert Giles was going to bite the big one. READ FULL STORYThe acclaimed (oc)cult TV show Buffy the Vampire Slayer went off the air in 2003 after seven seasons.
Bob Fingerman says that during his spell dwelling on Manhattan’s Upper East Side in the mid-’90s he came to the conclusion the area was not exactly the liveliest place on earth. “It felt zombie-like in a lot of ways,” says the writer and artist. “You’d see lots of old women eating alone in diners. There seemed to be a quality of just waiting for death.” Way to big the burg up, dude! “This is why I don’t work for the Upper East Side Board of Tourism,” laughs the now Upper West Side-dwelling Fingerman. “‘Come and see the living dead!’”
The author’s old neighborhood provides the setting for his new book Pariah, in which the inhabitants of an apartment block attempt to survive a zombie apocalypse. While the novel is not short of gore—the very first page finds the driver of a colliding taxi cab bursting through his windshield “like a meat torpedo”—the result is as much social satire as it is splatterfest. “The living grow accustomed to the zombies,” says Fingerman. “I think New Yorkers are very resilient and that carried through to these characters. The other thing is that I figured, ‘The ones who weren’t resilient? They’re all dead.’ They got eaten!”
Fingerman has considerable experience in the horror genre. Pariah is actually an unofficial sequel to Zombie World: Winter’s Dregs, a comic book miniseries he wrote in the late ‘90s, “back before zombies were cool.” He also penned the 2007 vampire novel Bottom Feeder and has a short story featured in the new collection The Living Dead 2, alongside contributions from Max Brooks and Walking Dead scribe Robert Kirkman.
Who better then, as we drag our zombie-infected carcasses towards Halloween season, to recommend five horror novels? You can check out Fingerman’s picks after the jump.
Harvey Pekar was one of the most important, idiosyncratic, and eccentric writers that the comics medium has ever produced. He ushered in a new age of autobiographical realism to comic books and graphic novels, writing scripts that were illustrated by artists such as R. Crumb, Gary Dumm, Dean Haspiel, Drew Friedman, and Rick Geary. He enjoyed a brief period of TV stardom as an occasional guest on David Letterman’s NBC talk show, and his READ FULL STORY
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