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Tag: Short Stories (11-20 of 24)

Joseph Gordon-Levitt on 'The Tiny Book of Tiny Stories'

Joseph-Gordon-Levitt

Inception star Joseph Gordon-Levitt isn’t just a consummate actor-artist himself — he’s inspiring a worldwide community of artists to create together through his online production company hitRECord. The latest spin-off of his collaborative multimedia project is the ingeniously illustrated Tiny Book of Tiny Stories: Volume 1 (It Books), a print collection of works from the website. The title describes the book pretty accurately: Some of the stories inside are witty, some of them are meaningful, but all are very, very brief.

ENTERTAINMENT WEEKLY: For people who haven’t come into contact with hitRECord yet, explain what it is in your own words.
JOSEPH GORDON-LEVITT: It’s an open, collaborative production company. As much as I love acting, I also like telling stories, making little short films, music, art, writing, etc. Normally when an actor starts a production company, it’s sort of an insular, Hollywood thing, but I wanted to collaborate with all of these artists all over the world who are making beautiful art and don’t necessarily have the connections to work in Hollywood. That’s why we use the Internet and we put these projects that we do online, and anybody can contribute to them. I’m there directing, participating, curating, and editing, and we make things together. “Tiny Stories” is our most popular collaboration that we’ve ever had. It’s really easy to contribute to it. As it says on the back on the book, we had 8,000 contributions that came into this collaboration. From that we edited it down into this tiny book. READ FULL STORY

On the Books Aug. 25: Steve Jobs biography to be updated with resignation news, and more

++ Steve Jobs’ biography Steve Jobs: A Biography will include the Apple CEO’s point of view on last night’s announcement of his resignation. Biographer Walter Isaacson “speaks to Jobs regularly and is still working on final chapter of the book,” a Simon & Schuster rep told PCMag. This is the first biography with the famously closed-off Apple chief’s blessing, and we’re promised unprecedented access — Jobs didn’t even request a final review before the book goes to print. Steve Jobs will hit bookstores in November. READ FULL STORY

'Everything Must Go' director Dan Rush on adapting Raymond Carver

For his feature debut, director-screenwriter Dan Rush built Everything Must Go around the central concept of Raymond Carver’s 1977 story “Why Don’t You Dance.” But Carver’s story, as Rush puts it, is “pretty dang short,” so he had to make some bold creative choices to beef up the narrative. (Some other notable Carver adaptations: Robert Altman’s Shortcuts and Ray Lawrence’s Jindabyne). It’s a bold choice, generally, for any filmmaker to adapt Carver’s work. His stories typically center on disaffected, working class individuals in a gray-skied America; he writes with economical prose (kept even snappier with the help of editor Gordon Lish), and his characters rarely say what they mean. Rush spoke to me about the tall task of creating a cinematic arc out of a very short Carver story, and his decision to cast Will Ferrell in the main role of Nick Halsey. Everything Must Go is available on DVD Sept. 6. READ FULL STORY

'L.A. Noire' videogame inspires a crime fiction anthology featuring Joyce Carol Oates, Andrew Vachss, and more. PLUS: Read an exclusive excerpt

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Last year, Rockstar Games released the western saga Red Dead Redemption, a flat-out videogame masterpiece by bringing to life a particular time and place in American history with extraordinary detail and telling a rich, engrossing story that challenged the mind and engaged the emotions. Hopes are high among fans and critical admirers of Rockstar’s sophisticated, decidedly adult work that their next major title will prove equal to its Red Dead triumph: L.A. Noire, a murder-mystery adventure set in late '40s Los Angeles, a sprawling and stylish videogame iteration of the film noir and neo noir genres, typified by movies like
The Big Sleep (1946) and Chinatown (1974). Of course, vintage film noir owed a debt to crime fiction by the likes of Raymond Chandler (who wrote The Big Sleep) and Dashiell Hammett. To acknowledge the literary roots of its newest offering – and to expand L.A. Noire into a larger "transmedia" entertainment franchise – Rockstar commissioned several prominent authors to pen short stories inspired by the game and stand on their own as crime genre fun. An eBook compilation from Mulholland Books, entitled L.A. Noire: The Collected Stories, will be available June 6, about three weeks after the game’s scheduled May 17 release. "The concept behind L.A. Noire was to create a crime thriller that built on the classic tradition of noir, not just in film but also evoking the great body of crime fiction that exists within the genre," says Alex Moulle-Berteaux, Rockstar's VP of Marketing. "Chandler, [James] Ellroy, and Hammet were as much touchstones for the atmosphere and characters of the game as anything from cinema, so there was something appealing about [the]

idea of setting some of the genre’s finest contemporary writers loose within that world.”

Among the authors who’ve written original stories for the anthology: READ FULL STORY

'Pariah' author Bob Fingerman reveals his five favorite tomes of terror

bob-fingermanImage Credit: Jeff WongBob Fingerman says that during his spell dwelling on Manhattan’s Upper East Side in the mid-’90s he came to the conclusion the area was not exactly the liveliest place on earth. “It felt zombie-like in a lot of ways,” says the writer and artist. “You’d see lots of old women eating alone in diners. There seemed to be a quality of just waiting for death.” Way to big the burg up, dude! “This is why I don’t work for the Upper East Side Board of Tourism,” laughs the now Upper West Side-dwelling Fingerman.  “‘Come and see the living dead!’”

The author’s old neighborhood provides the setting for his new book Pariah, in which the inhabitants of an apartment block attempt to survive a zombie apocalypse. While the novel is not short of gore—the very first page finds the driver of a colliding taxi cab bursting through his windshield “like a meat torpedo”—the result is as much social satire as it is splatterfest. “The living grow accustomed to the zombies,” says Fingerman. “I think New Yorkers are very resilient and that carried through to these characters. The other thing is that I figured, ‘The ones who weren’t resilient? They’re all dead.’ They got eaten!”

Fingerman has considerable experience in the horror genre. Pariah is actually an unofficial sequel to Zombie World: Winter’s Dregs, a comic book miniseries he wrote in the late ‘90s, “back before zombies were cool.”  He also penned the 2007 vampire novel Bottom Feeder and has a short story featured in the new collection The Living Dead 2, alongside contributions from Max Brooks and Walking Dead scribe Robert Kirkman.

Who better then, as we drag our zombie-infected carcasses towards Halloween season, to recommend five horror novels? You can check out Fingerman’s picks after the jump.

READ FULL STORY

EW picks Daniyal Mueenuddin and Dave Eggers' titles as the best books of 2009: What's your fave?

It’s that time again: As 2009 draws to a close, we’ve been given the formidable task of culling the finest literature from the year. As always, it was tough picking out the best from a bevy of books published in the last 12 months. But who won? In the fiction category, it was Daniyal Mueenuddin’s collection of short stories, In Other Rooms, Other Wonders. As for nonfiction, the always reliable Dave Eggers topped the list with his Hurricane Katrina-centric book, Zeitoun. (For EW’s complete list of the top 10 fiction and nonfiction titles of the year, pick up a copy of our year-end Best & Worst double issue, on newsstands now.)

But that’s just EW’s opinion, Shelf Lifers. Tell us, which books top your 2009 list?

'Ice Storm' author Rick Moody Tweets a short story!

Why write another novel when novelty beckons? Rick Moody, the author of novels like Garden State and The Ice Storm, will be tweeting his newest short story in a series of 140-character bursts for the online zine Electric Literature. Beginning Monday, Nov. 30, Moody’s “Some Contemporary Characters” will be “published” over the course of 153 tweets, sent out over three days. (Moody fans and the curious can subscribe to Electric Lit‘s Twitter feed at its Twitter page.) “It really was like writing Haiku,” says Moody of the story, which follows the relationship of an older man and younger woman. Here are the first two tweets of “Some Contemporary Characters,” which Electric Lit shared with EW exclusively:

There are things in this taxable and careworn world that can only be said in a restrictive interface with a minimum of characters:

Saw him on OKCupid. Agreed to meet. In his bio he said he had a “different conception of time.” And guess what? He didn’t show.

How did Moody come to tweet a work of fiction? Credit the clever folks at Electric Literature, whom we’ve written about before (most recently for a Michael Cunningham story in the premiere issue). “We approached Rick Moody because we admire his writing, and knew he has an inventive side,” explains Electric Lit co-founder Andy Hunter via e-mail. “The Twitter story was his idea. In a lot of ways Rick is the perfect writer to take on the project of writing a story specifically for Twitter. He’s a great storyteller who has often set formal constraints for himself in the past, particularly in his short fiction. … Some of his other stories have eschewed certain important punctuation marks, like the period. In a way, the Twitter story helps to highlight the extreme attention to language a great short story writer is likely to pay.”

Are you curious enough to read more?

Photo credit: Thatcher Keats/Retna

Neil Gaiman and BBC will let you Twitter a story for them

Neil-Gaiman_l2 B, or not 2 B, that is the question. LOL!

If only the Bard were lucky enough to have had a Twitter account. Since he didn’t, we’ll just have to rely on BBC Audiobooks and fantasy writer Neil Gaiman to bring us the latest development in Twitterature. Tomorrow at noon, the Coraline author will tweet the first sentence in an interactive storytelling experiment, with the hope that fellow Twitterers (Twits?) will pick up the thread and spin the rest of the story 140 characters at a time. The final product will eventually be compiled into a short story, recorded as an audiobook, and made available on iTunes for free. Starting tomorrow, you’ll be able to add to the story here.

It’ll be interesting to see if average Twitterzens will be able to maintain a functioning narrative in this mass game of exquisite corpse, or if it will inevitably devolve into “And then a comet hit the planet and everybody died!” or “A giant poo-monster came out of nowhere and swallowed dear Esmeralda whole,” as mine always did. Some hope can be gleaned from the recent success in London of the Royal Opera House’s first tweet-based opera, Twitterdammerung, which actually got some decent reviews. We lose Miley, but gain Wagner. Seems like a fair trade.

Tweets probably won’t be replacing conventional book-writing anytime soon, but it is an interesting glimpse into the possibility of open-source literary collaboration. Will BBC be able to separate the tweets from the chaff, or will we perhaps realize that all that Twitters is not gold?

Photo credit: Eric Fougere/VIP Images/Corbis

New Oprah Book Club pick: 'Say You're One of Them' by Uwem Akpan

say-youre-one-of-them_lOprah Winfrey announced her new Book Club selection today and the choice, as many had predicted, is Uwem Akpan’s debut story collection, Say You’re One of Them. EW critic Jennifer Reese had named Say You’re One of Them, made up of five fictional accounts of modern Africa from the point of view of child protagonists, as her top fiction title of last year. “The book should be depressing, but the blazing humanity of the characters and the brilliance of Akpan’s artistry make this one of the year’s most exhilarating reads,” Reese wrote in her review. Expect Akpan, a charismatic Nigerian-born Jesuit priest, to make a striking impression on Oprah’s audience — and to echo the host’s long-standing interest in the often strife-torn continent; she has already built two schools for South African youth.

The selection is another windfall for Akpan’s publisher, Hachette, which is already flush from the success of Stephenie Meyer’s Twilight series as well as this week’s publication of the late Sen. Ted Kennedy’s memoir, True Compass. A spokeswoman for Hachette’s Little, Brown confirms that it’s releasing 650,000 copies of an Oprah edition of Say You’re One of Them.

Hollywood screenwriters keep pulp (short) fiction alive

The short stories in places like The New Yorker can be lovely, evocative pieces — but they don’t usually involve an insanely jealous trapeze artist or a serial killer escaping from the back of an FBI agent’s sedan during an earthquake. That’s a pity. But pulpy, plot-driven tales about circus artists and killers (and killer circus artists) are the main offering at Popcorn Fiction, a month-old literary site where a bunch of Hollywood screenwriters are trying to revive a languishing genre, one story at a time. As with most anthologies, the stories are a mixed bag. But early highlights include “Lightning in a Bottle,” a variation on the old saw about a jazz musician (this time a drummer) who sells his soul to a mysterious stranger for the perfect jam, by Craig Mazin (a co-writer of Scary Movie 3 and 4), and “A Best Friend Named Rick,” about a newly sprung ex-con struggling to stay straight, by Nichelle D. Tramble (a story editor on the NBC drama Mercy).

The idea for Popcorn Fiction grew out of one screenwriter’s love for old-fashioned storytelling. “I had been listening to satellite radio and I started listening to these old great ’50s radio programs like X Minus One, The Shadow, and Have Gun Will Travel,” says site founder Derek Haas, an L.A.-based scribe whose credits (with writing partner Michael Brandt) include 2007′s 3:10 to Yuma and 2008′s Wanted. “And I thought, nobody writes these kinds of things anymore, or if they do, they’re not easy to find. So I started knocking the idea around with some screenwriting friends and said, ‘What if I started commissioning screenwriters to write short stories?’”

Haas, who’s collected stories mostly by word of mouth and says he is not (yet) seeking general submissions, posts a new tale on the site roughly once a week. This week’s new entry: “Hours,” set in a hospital ravaged by Hurricane Katrina, by Eric Heiserer (2010′s A Nightmare on Elm Street reboot). In coming weeks, Haas promises a yarn by Emmy winner Leslie Bohem (Dante’s Peak, TV’s Taken), a “funny little vampire story” by actor-comedian Patton Oswalt (Big Fan), and a crime tale by Oscar winner Brian Helgeland (L.A. Confidential, Mystic River).

You might think that Haas and his screenwriting pals would use the site to fish for movie deals. You’d be right. Producer Jerry Bruckheimer just bought Haas’ own story “Shake,” an adrenaline-charged but implausibly over-the-top thriller about an FBI agent with Parkinson’s chasing a serial killer during an earthquake in L.A. (Check it out here.) Curiously for a website founder, though, Haas has no plans to profit from Popcorn Fiction: Authors maintain all copyrights to their material. “I’m trying to help writers push new ideas in such a tough spec market,” says Haas, whose second novel, Columbus — a sequel to his 2008 thriller, The Silver Bear — is due in bookstores this November. “Every day you read on Ain’t It Cool News or one of those sites that Hollywood has run out of ideas, that all they can do is take these old films or these old TV shows and make them into movies. And I’m like, Wait. There’s a way to get new ideas into the system.” Now the rest of us don’t need to wait for a studio greenlight to see some of these ideas come to life on the screen — our computer screens, anyway.

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