If your favorite member of the Queer Eye cast was the dapper, comparatively mellow interior designer Thom Filicia, you’re not alone. Tina Fey has written a foreword to Filicia’s new book, American Beauty: Renovating and Decorating a Beloved Retreat (out today), in a way only Fey can. The book contains more than 300 lush photos of Filicia’s rustic and tasteful rooms and chronicles his renovation of a classic upstate New York fixer-upper. Check out Fey’s ode to the sweetest member of the Fab Five, found in the beginning of American Beauty. READ FULL STORY
Tag: Nonfiction (21-30 of 108)
Thanks to Skyfall, the world has contracted James Bond fever again — and even former 007-er Sir Roger Moore isn’t immune. “It’s absolutely marvelous,” says the British actor of the latest Bond adventure, which opens in the U.S. today. “It’s the best Bond film without a doubt.”
Jon Stewart, J.K. Rowling included in new edition of 'Bartlett's Famous Quotations.' Who else made the cut?
The 18th edition of Bartlett’s Familiar Quotations just hit stores (and iPhones; check out their new app), and this version adds a slew of pop-culture quotes that haven’t appeared previously. New inclusions range from why-wasn’t-that-in-there-already? entries (Johnny Cash’s “I shot a man in Reno just to watch him die”) to head-scratchers (the title of The Empire Strikes Back, which doesn’t really seem like a quotation). Here are 10 quotes that are included in Bartlett‘s for the very first time. READ FULL STORY
It’s barely November and top 10 of 2012 lists are already cropping up. We’ll be naming EW’s favorite books of year shortly, but check out Publishers Weekly‘s list now in case you you’re looking for some early holiday gift suggestions. Their picks range from an ambitious experiment in graphic novel form to an award-winning historical novel to a deep dive into America’s colonial era. See the full list below: READ FULL STORY
Hannah Horvath would be seething with jealousy right now.
Lena Dunham, the 26-year-old star and creator of the hit HBO series Girls, has landed a book deal at Random House for a massive $3.5 million. That’s more than the $2 million Dick Cheney received for his memoir In My Time and short of Amanda Knox’s $4 million and Tina Fey’s $5 million for Bossypants.
Bidding for the debut essay collection — titled Not That Kind of Girl: A Young Woman Tells You What She’s Learned — started at $1 million and quickly climbed as publishers pursued the hot property. The 66-page book proposal contained “color, illustrations and a humor that publishing executives predicted could produce another bestseller like Tina Fey’s blockbuster memoir,” according to the New York Times. READ FULL STORY
When Mary Anne Schwalbe was diagnosed with Stage IV pancreatic cancer, she didn’t want to slow down. A tireless advocate for refugees around the world, Mary Anne didn’t stop striving to build a library in Afghanistan — or continuing to discover new literature with her son Will. In his engrossing, deeply moving new memoir The End of Your Life Book Club (EW grade: A), Will Schwalbe writes about his mother’s last days through the prism of the things they read together. He took the time to talk to EW about his mother’s inspiring legacy and the transformative power of books.
ENTERTAINMENT WEEKLY: Your mother Mary Anne was clearly an exceptional person with very impressive accomplishments and passions — but in a way, I felt like she was every great mom, and you were like every child of a great mom who wanted to give her the tribute she deserved.
WILL SCHWALBE: There’s no reaction that could make me happier than that reaction. I’m very proud of my mother. But when she died, there was no obituary in the New York Times. She wasn’t famous. In fact, I don’t think her name was ever in the New York Times, and that’s true of most people’s moms. I like to think of her as an extraordinary, ordinary person. There are so many extraordinary, ordinary people across the country — people who are fantastic mothers and adore their children, and their children adore them, and do incredible things in their communities. I was in publishing for 21 years, and I saw a lot of really wonderful memoirs by people who had very difficult times with their mothers. In fact, it’s almost a kind of genre, yet there are a lot of people who have great mothers. In some ways, I feel like this is a celebration of moms. READ FULL STORY
If Hannah Horvath got a monster book deal as quickly as Lena Dunham, the 26-year-old woman who created and portrays her on Girls, Girls as a TV series would come to a screeching halt. Where would our broke, semi-motivated aspiring essayist have left to go? There would be no need for roommates or crappy jobs.
According to Deadline, the bids for Dunham’s future advice-book-slash-essay-collection — tentatively titled Not That Kind of Girl — have climbed to a whopping $3.6 million and could go even higher as Dunham and literary agent Kim Witherspoon continue to meet with publishers. The negotiations began at $1 million.
To put things in context, if the deal happens, Dunham’s book would rake in more than Dick Cheney did for In My Time, which went for $2 million — and it would fall a bit short of Amanda Knox’s upcoming memoir ($4 million) and more than a million short of Tina Fey’s Bossypants ($5 million), although Fey had well more than a decade of fodder on Dunham.
Do you think Dunham’s writing is worth the big bucks? Will you look at Hannah Horvath differently when you watch season 2 of Girls?
Follow @EWStephanLee on Twitter.
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For $1 million you can bid on Lena Dunham’s first book. But hurry, the bids are due by the end of the day tomorrow.
Dunham’s literary agents are currently shopping around an advice book penned by the Girls creator. According to Slate, the actress has written a detailed book proposal outlining the general content of the book, which will reportedly be in the format of essays. Some sample topics include Dunham’s first experience with sex, her attempts to eat healthily (including a diet journal) and her obsession with death. Overall, however, she hopes to help people avoid the mistakes she’s made in her life.
Since I do not readily have $1 million on hand, I’ve made a wish list for what I’d to see in Dunham’s advice book instead.
Brian Grazer, a.k.a. the Hollywood mega-producer with the crazy hair, is moving into the publishing business. The New York Post reports that Grazer has landed a six-figure deal with Simon & Schuster for a book that will chronicle Grazer’s 27-year journey to meet a new and interesting person every day. Overall, the book will feature details of the producer’s most intriguing encounters (though surely not one as amazing as this one) and “examine how curiosity and the endless search for knowledge drive creativity.”
Grazer has produced a variety of films, including The Nutty Professor, The Da Vinci Code, Frost/Nixon,and Cowboys & Aliens. He has worked in the television industry as well, producing series such as Arrested Development and Friday Night Lights.
While we wait for Grazer’s forthcoming book, I suggest you enjoy this Oscar ad featuring William Fichtner as Grazer. He’s got the hair down to pat.
Brian Grazer talks replacing Brett Ratner, hiring Billy Crystal, and why you should ‘give a s–––’ about the Oscars
Brian Grazer replacing Brett Ratner as new Oscar producer
New Oscar host: Who will Brian Grazer choose?
Film critic Richard Crouse talks about the controversial film 'The Devils' in his book 'Raising Hell'
The story of 1971′s The Devils is an unpleasant one. Based on Aldous Huxley’s book The Devils of Loudun and a play by John Whiting, the film details an episode of alleged demonic possessions and exorcisms — and the innocent priest who was executed for heresy — in 17th-century France. And that’s just the plot line.
The real story of The Devils took place behind the camera, in the movie’s production process and its reception among censors, critics, and audiences. The intensity of the shoot cost director Ken Russell his marriage and tested the nerves of its stars, British screen legends Oliver Reed and Vanessa Redgrave. Later, after facing numerous cuts from the British Board of Film Censors for material deemed inappropriate (or, according to the Catholic Church, blasphemous), The Devils received an abysmal response from critics, was banned in several countries, and basically vanished for three decades.
In recent years, though, the movie’s seen a bit of a resurgence. Fan sites are popping up and bootleg copies with fewer cuts have surfaced (Russell lamented that a fully uncensored version simply doesn’t exist); critics, for their part, have begun to see the film in a different light, hailing it as a provocative masterpiece in league with A Clockwork Orange.
In light of this renaissance, Canadian film critic Richard Crouse has written a book about The Devils, tracing it from conceptualization to its disastrous wide release to today’s renewed interest. With endorsements from a litany of notable directors — Terry Gilliam, David Cronenberg, Guillermo del Toro — and first-hand testimony from many of the principal players, Raising Hell offers a comprehensive look into the making of this brutally controversial film. In our conversation, Crouse (who has seen The Devils nearly 200 times) talked about Ken Russell’s blistering visual style and his never-ending battle with Warner Brothers, and why this movie could only have been made in 1971. READ FULL STORY
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