Tag: Neil Gaiman (1-9 of 9)

Jan 28 2013 10:07 PM ET

What we learned about Neil Gaiman's influences from his interview with NPR

NEIL-GAIMAN

Image Credit: Kimberly Butler

When reading the wildly imaginative works of Neil Gaiman, one can’t help but wonder, “How does he think up this stuff?” The Coraline and American Gods author revealed a bit of what may be an answer to that question Monday when he chatted with Steve Inskeep on NPR’s Morning Edition.

The interview was part of the public radio station’s “Watch This” series, which has featured pop culture recommendations from the likes of Sherman Alexie, Kevin Smith and Lisa Kudrow. Read on for what Gaiman had to say about four favorites of his – and where EW can see these influences in his own works. READ FULL STORY »

Jan 16 2013 05:36 PM ET

On the scene: 'An Evening of Awesome' with John Green at Carnegie Hall

Carnegie-Hall

Image Credit: Andrea Fischman

I’ve never been to Carnegie Hall before, and I certainly never dreamed that my first visit to the iconic theater would be to see an author. As I navigated the swarms of squealing fans to find my seat, I heard a young couple gushing about their attendance at the event. You know, the kind of gushing usually reserved for boy bands or Justin Bieber. “Oh, my God! I cannot believe this is happening! I’m totally freaking out! Like, it hasn’t even set in yet that this is really happening.”

And that illustrates the power best-selling author John Green holds over his fans. Green came together with his brother, Hank, and a slew of guest stars to present ”An Evening of Awesome,” a variety show of sorts that totally lived up to its name. But you don’t have to take my word for it. The sold-out event was broadcast live on YouTube (watch it here), and has since acquired more than 40,000 views. Additionally, Carnegie Hall was No. 1 trending topic worldwide on Twitter. The moral of the story? Never underestimate the power of book nerds. (And I say that with the utmost affection, because I am one of those nerds…or should I say nerdfighters?) READ FULL STORY »

Aug 2 2012 07:41 PM ET

Neil Gaiman announces title of his new novel

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NEIL-GAIMAN

Image Credit: Kimberly Butler

Oh, Neil Gaiman, you can be such a tease.

The Coraline and American Gods author has been hinting to his Twitter followers today that he would soon announce the title to his upcoming novel. Then he nearly made his fans wait until the following morning. But he still followed through. And the title is… (EW can be a tease too)… READ FULL STORY »

Jul 12 2012 09:30 PM ET

Comic-Con: Neil Gaiman to write new 'Sandman' series for DC Comics' Vertigo imprint

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Call it a dream come true. Acclaimed fantasy author Neil Gaiman (American Gods, Coraline) is returning to comics and the character that made him a superstar scribe: Dream, a.k.a. Morpheus, member of the Endless, a deeply dysfunctional family of eternal though not immutable entities with names that begin with the letter ‘D’ who preside over various aspects of human existence (except Destruction did abandon his mantle and dominion and ran away… but never mind). Gaiman — who wrote 75 issues of The Sandman from 1988 to 1996 (all collected in “graphic novel” form), producing one of the most celebrated and most erudite comic book series ever — will team with artist J. H. Williams III (Promethea, Batwoman) for a mini-series that’s set prior to the events in Sandman #1. In that story, an English occult leader inadvertently summoned Dream using a black magic ritual involving rat claws and angel wings on June 10, 1916 and held him captive for 72 years. (The foolish mortal was actually trying to trap Morpheus’ sister, Death, but something went awry. Magic: So darn unpredictable!)
READ FULL STORY »

Aug 23 2011 11:05 AM ET

On the Books Aug. 23: Neil Gaiman's HBO deal for 'American Gods,' Kathryn Stockett's legal battle centers on handwritten note

Neil-Gaiman

Image Credit: Jeff Kravitz/FilmMagic

++ Novelist Neil Gaiman has nabbed a deal with HBO to adapt his most successful novel, American Gods, into series for HBO. Gaiman told a crowd at the Edinburgh International Book Festival that he plans to write the pilot, the finale, and perhaps some episodes in the middle. He joins Sloane Crosley, Michael Chabon, Ayelet Waldman, and Tom Perrotta in the slate of authors recently tapped by HBO to try their hand at writing for television. Echoing Salman Rushdie’s praise of cable television as a storytelling medium, Gaiman said, “I was doing a couple of screenplays, and was incredibly grumpy at the idea of doing 124-page stories with beginnings, middles, and ends and was determined that the novel should be formless and would have lots of ends, and several beginnings, and middles all over the place. So I actually like the idea that HBO are doing it.”

++ As in the best-selling novel and hit film The Help, words are proving unexpectedly powerful in author Kathryn Stockett’s real-life legal battle. READ FULL STORY »

Jul 26 2011 03:58 PM ET

Comic Book Heroes: A conversation between Neil Gaiman and Grant Morrison

Neil-Gaiman-Grant-Morrison

Image Credit: Kimberly Butler; Allan Amato

Sometime in the late 1980s, the British invaded and changed comic books forever. Superman may stand for the American way — at least most of the time — but it took Scotsman Grant Morrison to write one of the best modern interpretations of the Man of Steel with All-Star Superman. Morrison’s latest work, Supergods, is an analysis of what superheroes, caped crusaders, and masked men can tell us about ourselves and our culture. It’s a fascinating discussion, and one that continued when he got together with fellow comic book icon and Sandman maestro Neil Gaiman to discuss their medium, their lives, and each other’s work in a wide-ranging conversation that EW was lucky enough to listen in on.

NEIL GAIMAN: First off, congratulations! You’ve got a book out.

GRANT MORRISON: Oh, thank you. It’s great after 30 years of actually taking it seriously to finally write it down. READ FULL STORY »

Oct 6 2010 02:25 PM ET

Neil Gaiman divulges 'Doctor Who' clues

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Neil-GaimanImage Credit: Eric Fougere/VIP Images/CorbisNeil Gaiman’s script for the beloved British Doctor Who is decidedly Doctor Who, the fantasist said this past Sunday, during a segment of the three-day, celeb-infused New Yorker Festival. “Classic Doctor Who episodes are always filmed at some point in a quarry, and I’m incredibly pleased to say they have spent the last week filming in a quarry, in the rain, which is awesome.” The episode is set to air around Easter of next year, and will feature actress Suranne Jones in a guest role as a character called Idris, who Gaiman revealed “may very well be an old acquaintance of the doctor with a new face.”

The tidbit came at the end of an hour of conversation between Gaiman and New Yorker staffer Dana Goodyear, who profiled him earlier this year for the magazine. Speaking to a packed hall, Gaiman unwound a string of anecdotes in practiced style. His explanation of how his fantastically creepy children’s book Coraline came to be started with a line as sinister as any he’s written: “Because Morgan DeFoire lied.” DeFoire, the daughter of Gaiman’s longtime agent Merrilee Heifetz, acted as a litmus test back when the manuscript was still thought unpublishable for a young audience. It was decided that if Morgan and her sister Emily could stand the book without being “traumatized,” as Gaiman put it, Heifetz would reconsider consigning Coraline to the adult bin with all the other horror novels. The girls proved Gaiman right, listening with faces more eager than petrified, and the book went on to claim the loyalty of children around the world, winning two awards (a Hugo and Nebula) and a movie contract, before becoming a musical. At the off-Broadway premiere of the show, Gaiman learned what Morgan DeFoire, seated beside him, had really thought of Coraline.

“I told her, ‘You know, we kind of have you to thank for all this, because you weren’t scared by it. And she said, ‘Actually, I was terrified. But I wanted to know what happened next. I knew if I let anybody know I was scared, I wouldn’t find out.’”

The Doctor Who project is the only known offering in the near future from the prolific writer. No doubt after the episode’s debut, he’ll have another story to tell.

Sep 16 2010 11:48 AM ET

Neil Gaiman auctions off Twitter follows and personal phone calls for charity

Neil-GaimanImage Credit: Eric Fougere/VIP Images/CorbisNeil Gaiman recently took to his Twitter to announce his participation in TwitChange, the first ever celebrity Twitter auction. Pegged as “changing the world one tweet at a time,” TwitChange allows fans to bid on receiving tweets, retweets, and Twitter follows from their favorite celebrities. All proceeds of this charity auction go to aHomeInHaiti.org, which builds permanent housing for Haitian orphans.

While receiving a simple Twitter follow may not seem like a huge prize, being the lone literary selection thus far, Neil Gaiman announced via Twitter that the winner of his “mega package” auction will also win a one-on-one phone call with him, where he will read either a poem or a “short-short story.” No word on whether these readings will be penned specifically for the winner or if they will have been previously published. For those not willing to spend the big bucks necessary to win the Neil Gaiman mega package, there are other auctions for Twitter mentions, Twitter follows, and retweets from Neil himself. Just a couple of hours into the auction, the current bid of the mega package is $455, and the auction doesn’t end until September 25.

Oct 12 2009 12:06 PM ET

Neil Gaiman and BBC will let you Twitter a story for them

Neil-Gaiman_l2 B, or not 2 B, that is the question. LOL!

If only the Bard were lucky enough to have had a Twitter account. Since he didn’t, we’ll just have to rely on BBC Audiobooks and fantasy writer Neil Gaiman to bring us the latest development in Twitterature. Tomorrow at noon, the Coraline author will tweet the first sentence in an interactive storytelling experiment, with the hope that fellow Twitterers (Twits?) will pick up the thread and spin the rest of the story 140 characters at a time. The final product will eventually be compiled into a short story, recorded as an audiobook, and made available on iTunes for free. Starting tomorrow, you’ll be able to add to the story here.

It’ll be interesting to see if average Twitterzens will be able to maintain a functioning narrative in this mass game of exquisite corpse, or if it will inevitably devolve into “And then a comet hit the planet and everybody died!” or “A giant poo-monster came out of nowhere and swallowed dear Esmeralda whole,” as mine always did. Some hope can be gleaned from the recent success in London of the Royal Opera House’s first tweet-based opera, Twitterdammerung, which actually got some decent reviews. We lose Miley, but gain Wagner. Seems like a fair trade.

Tweets probably won’t be replacing conventional book-writing anytime soon, but it is an interesting glimpse into the possibility of open-source literary collaboration. Will BBC be able to separate the tweets from the chaff, or will we perhaps realize that all that Twitters is not gold?

Photo credit: Eric Fougere/VIP Images/Corbis

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