Grant Morrison and Darick Robertson have created some of the most acclaimed – and controversial – comics of the past two decades. Scottish scribe Morrison has spent the past several years writing best-selling Superman and Batman titles for DC Comics (and penning a great history lesson/memoir Supergods: Our World In The Age of The Superhero), but before that made his name with audacious original work like The Invisibles, The Filth and Flex Mentallo, filled with challenging ideas, formal experimentation and high strange surrealism. California-based artist Robertson, known for his strong, visceral style, has worked in many genres, from pulp to sci-fi, and is best known for long runs on two hard-edged satires, The Boys and Transmetropolitan.
Now, the two talents have teamed up – for the first time – to produce the ironically titled Happy!, a four-issue mini-series that tracks the twisted downward spiral of an utterly reprehensible thug named Nick Sax… and his imaginary friend Happy!, an aggressively sweet winged horse. The first issue, now in stores, includes foul language, brutal violence and a sexual encounter involving a man dressed as seafood.
Naturally, it’s a Christmas story.
It’s also a gleefully gonzo-sick crime comic, and the beginning of a return to trippy-edgy creator-owned stuff for Morrison after years of marvelous mainstream toil. In separate interviews, EW.com spoke with Morrison and Robertson about their collaboration.
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