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Tag: Ferlinghetti (1-1 of 1)

On The Books: join the Beat Generation with Ferlinghetti's travel journals

Lawrence Ferlinghetti, the Beat poet and co-founder of City Lights Bookstore in San Francisco, has sold the rights to his travel journals to Liveright Publishing. They plan to release the collection, titled Writing Across the Landscape: Travel Journals (1950-2013), in September 2015. It sounds like it will be a counterculture travel guide and a historical snapshot of the second half of the 20th century rolled into one. The New York Times reports:

The journal material, most of it being published for the first time, sheds as much light on Mr. Ferlinghetti’s political passions as on his relationships with the Beat writers. His itinerary takes him to Mexico, Haiti and North Africa, to Cuba in the throes of the Castro revolution, to Franco’s Spain, to Soviet Russia for the 1968 Writers’ Congress, and to Nicaragua under the Sandinistas. It also includes his frequent trips to Italy and to France, where he lived for four years while pursuing a doctorate at the Sorbonne in Paris. Along the way, he records his encounters with Pablo Neruda, Ezra Pound, Ernesto Cardenal, Yevgeny Yevtushenko and Andrei Voznesensky.

On April 18th, Haruki Murakami will publish his first collection of short stories in nine years. The title “Onna no Inai Otokotachi” translates to “Men Without Women” and will be a compilation of short novels that have previously appeared in magazines, as well as one new offering. Apparently there was some scandal around the story “Drive My Car — Men Without Women.” The town featured in the story was offended by Murakami’s portrayal. Supposedly he apologized, but then he went and named the whole collection after that story, so that’s confusing. I’ll chalk it up to “lost in translation.” [Yahoo]

Some post-grad student at Cambridge translated Lorem Ipsum, that swatch of dummy text that acts as a placeholder in the publishing biz. I love finding meaning in nonsense. It’s almost a superstition, when I walk down the street and I try to make sentences out of the snippets of words from graffiti, old posters, torn stickers–in case it’s a secret message for me. Like the little boy in Extremely Loud and Incredibly Close. In this case, it paid off. The translated paragraph reads almost like e.e. cummings. The first sentence: “Rrow itself, let it be sorrow; let him love it; let him pursue it, ishing for its acquisitiendum.” This doesn’t come as a total surprise because the text was originally pasted together by a 16th-century printer who “got there by mangling Cicero’s ‘De finibus bonorum et malorum’, an exposition of Stoicism, Epicureanism and the Platonism of Antiochus of Ascalon.” [London Review of Books]
Over at the Guardian, Adrian McKinty has written a literary jaunt through the historical and futuristic settings of fantasy novels, all in service of the question: When and where is Game of Thrones set? Read it for a full explanation because he has some very interesting examples, but his final conclusion is that Game of Thrones is set “not in some canned version of our medieval past but in the far future when the continents have shifted and some humans have evolved extraordinary physical and mental abilities which, to paraphrase Arthur C. Clarke, are indistinguishable from magic…As the sun expands, Earth’s orbit becomes more eccentric and massive variations in climate are to be expected, resulting in stretched-out summers and long, deadly winters.”

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