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Tag: E-Books (31-40 of 55)

On the Books Apr. 21: Kindle lending, remembering Tim Hetherington, Tina Fey's booksigning techniques, and more

Amazon announced yesterday that it will offer library lending capabilities for the Kindle, but is there a catch? Key details remain fuzzy, or pixilated: When will libraries roll out the program, and how long will the lending period be? Also, not all books may be available as part of the program.

Intrepid photojournalist and Restrepo co-director Tim Hetherington, who was killed in Libya yesterday, had published a book in 2009 called Long Story Bit by Bit: Liberia Retold. According to the publisher, the book “entwines documentary photography, oral testimony, and memoir to map the dynamics of power, tragedy and triumph in Liberia’s recent history. It depicts a past of rebel camps, rainforest destruction, Charles Taylor’s trial as a war criminal, and other happenings contrasted with the hope for the future.”

Funnylady Tina Fey has to keep herself entertained while on her Bossypants promotional tour, so she’s been mixing it up while signing book after book. As she mentioned on Tuesday night’s Conan, she sometimes signs entirely different names (like Ina Garten) in fans’ books and at least once has inscribed, “Help, I’m stuck in a Korean Tina Fey autograph factory!” Maybe by the time her book tour is over, she really will have those man arms.

Do you know what’s truly dead? Spouting off little soundbytes about how books and traditional publishing are dead. Check out these common 21st century nuggets on non-wisdom that really should be put to rest.

The Long Island mansion believed to have inspired F. Scott Fitzgerald in writing The Great Gatsby was demolished earlier this week, but not before writer Christine Lee Zilka snapped some final photos of the home that had been standing since 1902.

Two anthologies have been marketing classic poetry to children along gender lines. Are some poems for boys and others for girls?

On the Books Mar. 23: Self-publishing phenom Amanda Hocking courts major publishers, 'Cold Mountain' author to pen new novel

Charles-Frasier

Twenty-six-year-old self-publishing whizkid Amanda Hocking is shopping a four-part series for a traditional book deal, reportedly bringing in offers from major publishing houses of over $1 million. She began publishing her own e-books last year via retailers like Amazon and BN.com and has sold more than 900,000 copies of nine books since then. But will Hocking lose her under-the-radar cool factor if she goes with a major publisher? Thriller writer Barry Eisler seems to be going in the other direction: He turned down a huge six-figure deal to publish his own e-books.

Cold Mountain author Charles Frazier’s first novel since 2006’s Thirteen Moons will be released this October by Random House. Nightwoods will tell the story of a young woman living in rural North Carolina in the 1950s raising her murdered sister’s children.

Anyone out there have a book hoarding problem? Read confessions of some compulsive collectors who are in serious need of a good e-reader. They should really make a Hoarders: Book Edition. There’s already an animal spin-off.

On the Books Feb. 24th: Mark Zuckerberg the comic book hero, Katie Couric's advice, hip Kindle commercial, and more

zuckerberg-comicMark Zuckerberg got the Hollywood treatment with The Social Network, and now he’s getting a much more positive portrayal in comic book form. Since Hollywood has never met a comic book man of action it doesn’t love, I’m just waiting for another Zuckerberg movie–a reboot, if you will–this time based on the illustrated version.

Katie Couric is assembling a book, The Best Advice I Ever Got, to be released April 12th. Inspired by her well reserved graduation speech at Case Western University last May, she has collected over 114 essays from notable individuals, from Salman Rushdie to Chelsea Handler.

Celebrated comic book and animation writer Dwayne McDuffie died Monday of complications after undergoing emergency heart surgery. Among many others, McDuffie worked on Batman, Justice League, Fantastic Four, and Spider-Man comics.

Taking a breather from her legal woes, The Help author Kathryn Stockett answered questions during a talkback session post-show at Driving Miss Daisy last night. She spoke about witnessing racism growing up in Mississippi in the 80’s, and she dropped few hints about the film version of her book, other than that she doesn’t have a cameo.

Cal Ripken Jr. can now add “novelist” to his resume with YA baseball book Hothead.

Sexy, hip new Kindle commercial takes jabs at the iPad and also the paperback, which is like kicking a dead horse while it’s down (see what I did there?).

Kindle becomes Amazon's bestselling product of all time, edging out 'Harry Potter'

Kindle-PotterIn the words of Dr. Egon Spengler, print is dead. Or at least it’s one step closer to that great library in the sky, according to Amazon’s announcement today that the third-generation model of their electronic reader, the Kindle, is now their biggest selling item ever, pulling ahead of Harry Potter and the Deathly Hallows, the previous title-holder. While the e-tail giant didn’t give out any concrete numbers, it’s likely that the relatively low $139 price tag helped to move a lot of units over the holidays. According to Amazon.com founder Jeff Bezos, the e-reader also did not experience the kind of competition from the iPad and other tablet devices that people were expecting because owning one does not obviate owning the other. “We’re seeing that many of the people who are buying Kindles also own an LCD tablet,” Bezos said in a statement. “Customers report using their LCD tablets for games, movies and Web browsing, and their Kindles for reading sessions.”

Literary agent Andrew Wylie signs controversial exclusive deal with Amazon

Andrew Wylie is one of the book world’s most notorious agents who, in reality show parlance, definitely isn’t here to make friends. Dubbed “the Jackal,” if that gives you an idea of how he’s viewed, Wylie is best known for successfully extracting enormous advances from publishers for his big-name clients, as well as poaching authors from other agents. Now the highly visible agent, whose stable includes the likes of Dave Eggers, Salman Rushdie and Philip Roth (as well as the estates of Nabokov and Updike) is creating a stir in the realm of e-books.

Last week Wylie signed a deal with Amazon for exclusive e-book rights to his clients’ novels, including such classics as Roth’s Portnoy’s Complaint and Ralph Ellison’s Invisible Man. For at least two years, these works will only be available via the online retailer and only on Amazon’s Kindle or devices with the downloaded Kindle app. Many are considering this a literary monopoly, vertical integration for a medium barely into its infancy. And where even the famously hermetic and anti-third party iPad permits users to download e-books from a variety of sources, the Kindle only allows readers to access digital copies from Amazon. Random House, which published a number of the titles covered by the deal, has since announced their intentions to dispute its legality. Random House spokesman Stuart Applebaum issued a statement which said, in part, “The Wylie Agency’s decision to sell e-books exclusively to Amazon for titles which are subject to active Random House agreements undermines our longstanding commitments to and investments in our authors, and it establishes this Agency as our direct competitor. Therefore, regrettably, Random House on a worldwide basis will not be entering into any new English-language business agreements with the Wylie Agency until this situation is resolved.”

Square Books, an independent bookstore in Oxford, Mississippi, has a compelling take on the whole situation.

What do you think about the issue, Shelf Lifers?

E-books outsell hardcovers on Amazon: Which format do you prefer?

With Amazon’s announcement that the online retailer now sells more e-books than it does physical hardcovers, it seems as good a time as any to gauge where the battle-lines are being drawn. Some of the more tech-savvy among us may prefer the large storage capacities and easy portability of e-readers (anyone with a sizable library who has had to move can appreciate that), while others believe that you’ll never be able to beat the feeling of holding a book in your hands. Which side are you on?

The timely e-book: 'Truman Fires MacArthur' and Gen. Stanley McChrystal

mccullogh-mcchrystalImage Credit: Carolyn Kaster/Getty ImagesTiming is everything. With this mantra in mind, Simon & Schuster released an e-book Friday titled Truman Fires MacArthur, a historical account of the 33rd president’s dismissal of his famous Pacific general. The e-book publication came only 48 hours after Pres. Barack Obama sacked Gen. Stanley McChrystal over his comments in a controversial Rolling Stone article. The pamphlet-length e-book, culled from material in David McCullough’s 1993 Pulitzer Prize-winning biography Truman, demonstrates a new use of digital technology: the timely back-catalog reissue.

Special editions of physical books have to be planned months in advance, but with no printing or distribution requirements, e-books can be turned around in a matter of days, making up-to-the-minute relevance much more feasible. Excerpts and titles that might normally be difficult to track down could see release within reasonable propinquity to the events they’re pegged to. It’s good to see a major publisher like Simon & Schuster making use of the unique abilities of e-books rather than just spending all its time trying to ensure the experience is as close as possible to that of traditional books. Are there any other back-list books that might be particularly apropos to current events? Maybe a re-release of Upton Sinclair’s Oil! in light of the BP fiasco, or a World Cup 2010 edition of The Goalie’s Anxiety at the Penalty Kick?

How do you judge a book without a cover?

You’re not supposed to judge a book by its cover, and with e-books, that’s not a problem. There are no covers!

In today’s New York Times, there’s an interesting article about how, with the rise of Kindles, Nooks and — in a few days –iPads, it will be increasingly difficult to find out what people around you are reading. The days may soon disappear where you can lean over in an airplane, on the subway, or on the sidelines of your kid’s soccer practice, take a look at the book the guy or gal next to you is reading, and then quietly judge them.

For some, that’s a good thing. Many consumers of romance novels don’t appreciate getting disapproving looks because their book happens to have a shirtless man and scantily clad woman embracing on the front. Some don’t want to read the latest best-seller or buzzworthy work just to fit in. For others, though, examining the reading materials of strangers is part of the fabric of their day. They can see if multiple people are reading the same book, what authors have new releases out, and what just looks interesting because of its neon-hued or graphically clever cover.

A lot of magnificent works are hidden behind boring covers (go to Barnes and Noble’s website, type in “classics,” and be prepared to fall asleep while looking at the thumbnails of the results), so perhaps with e-readers, people will focus more on descriptions of books, rather than covers. My favorite covers are the bright, intricately designed ones from books I read as a child (Nancy Drew’s The Mystery of the Fire Dragon comes to mind), but I would still only actually purchase them if I liked the summary. Books are expensive, and just because the cover’s glitzy, I won’t be buying it if it’s going to cost me $20 and I’m not sold on the plot.

So while I am generally a pretty nosy person, I’m OK with the fact that I won’t be able to tell what you’re reading on your Nook. I’m just glad you’re reading something. Besides, when I’m on the subway, the last thing I care about is what someone’s reading. I’m more interested in when I’m going to get a seat and how soon I can use my hand sanitizer after holding onto the fingerprint smeared pole.

What do you think? Will you start asking strangers what’s on their e-reader? Come on, admit it, do you judge people based on the books they read?

Self-publishing: Is it a viable alternative for authors?

Usually self-published authors are either graduate students or first cousins who somehow manage to convince you to purchase six copies of their 600-page novel Love Means Never Having to Say You’re Hungry.

But now a two-time PEN/Faulkner winner and National Book Award finalist is stepping into the mix. John Edgar Wideman will be releasing his latest collection of short stories via Lulu, a self-publishing company that releases submitted work either as an e-book or printed-on-demand. Briefs: Stories for the Palm of the Mind, available starting March 14, will be one of few works from an already established author to bypass the mainstream industry entirely. Another is JA Konrath, who, after having a collection of his stories rejected by publishing houses, turned to the Internet and self-published his own  Kindle ebook. Less than one year later, Konrath has sold nearly 30,000 copies and he expects to earn as much as $43,800 this year on that e-book alone. Proof positive that profit is possible with this model.

If self-publishing becomes a more acceptable practice for big-name writers, it could lead to an interesting shift in the landscape of the book industry. Authors would clearly exercise greater control over their work, its distribution, and, importantly, its price. There may always be a need some sort of intermediary like Lulu, which takes a 20 percent cut of the revenue, or Amazon, which will double its royalty rates for self-published authors beginning in July, but those mechanisms are negligible when compared to the established industry. It could even make the market more Darwinian: Without advances or heavy advertising, success or failure would  be wholly dependent on whether or not people are willing to pay to read your words. Clearly, established authors would have a leg up here, which is why it’s remarkable how few of them aside from Konrath and Wideman are willing to try to establish some vertical integration for their own output.

How about you? Do you support self-publishing? If this practice caught on, do you think it’d end up being a good or a bad thing for books?

Amazon capitulates to Macmillan's e-book pricing demands

As many of you know, the e-book pricing wars came to a head on Friday and Saturday, when Amazon stopped selling Macmillan titles (St. Martin’s, Holt, and Farrar, Straus and Giroux books), though customers could still purchase books on the site from other sellers. Macmillan CEO John Sargent issued an impassioned plea on Saturday night to explain his company’s position, and last night, Amazon gave in, posting a statement to customers on its Kindle page that said, in part, “We want you to know that ultimately, we will have to capitulate and accept Macmillan’s terms because Macmillan has a monopoly over their own titles, and we will want to offer them to you even at prices we believe are needlessly high for e-books. Amazon customers will at that point decide for themselves whether they believe it’s reasonable to pay $14.99 for a bestselling e-book. We don’t believe that all of the major publishers will take the same route as Macmillan. And we know for sure that many independent presses and self-published authors will see this as an opportunity to provide attractively priced e-books as an alternative. Kindle is a business for Amazon, and it is also a mission. We never expected it to be easy!”

As someone who has been following this drama, and reading all the comments on this and many other books blogs, I’m alarmed that so many people seem to see Macmillan as the villain here. It’s not that simple. The book business has never had high profit margins (I believe 3 percent is considered fairly healthy, which ought to give you some idea.) It costs an enormous amount of money to produce a book. The author is paid an advance; the book is edited and copy-edited and often put through a legal check; a jacket is designed; the publisher pays for marketing (ads!) and publicity (sending authors on tour, or, if they’re lucky, paying to bring them to New York so that they can appear on a national TV show). The printing, binding, and shipping of a title are not the real expenses involved in publication. The issue that Macmillan had with Amazon is a very real one: Given the punishing terms that Amazon insists upon (most e-book profits are going to Amazon, not to the publisher or author), publishers literally are often losing money on their e-book ventures with the company. What Macmillan wants to do is what it calls “agency pricing,” that is, offer the e-book for more money when it first comes out, and then decrease the price as time passes — much in the way that a book is first available in hardcover and then in paperback.

This is a gross oversimplification, but what it comes down to is this: Unless all publishers negotiate better e-book pricing deals with Amazon, the number of books being published will decline. You won’t see a book like The Help. It will never see the light of day, because companies just won’t be able to take a chance on unknown authors. And small literary novels and short-story collections will suffer the most. They are often money-losers anyway, subsidized by companies’ bigger commercial successes. As the percentage of e-book sales rises, publishers simply will not be able to continue putting them out unless Amazon agrees to different terms.

As of 8 a.m. today, the “buy” buttons at Amazon have not been reinstated on any Macmillan titles I checked.

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