It’s not every year that an 800-page literary novel becomes as popular as The Goldfinch. Yet the book, which has been on the New York Times best-seller list for 33 weeks, is pretty polarizing — people either seem to really like it or they can’t stand it. It wasn’t nominated for the National Book Award, but it won the Pulitzer.
Last week Vanity Fair surveyed literary critics who panned the book when it came out. New Yorker critic James Wood, who wrote in his original review that the book’s “tone, language, and story belong to children’s literature,” told Vanity Fair that “the rapture with which this novel has been received is further proof of the infantilization of our literary culture: a world in which adults go around reading Harry Potter.” Lorin Stein, editor of The Paris Review, said that Tartt’s novel uses, rather than breaks, clichés. “Nowadays, even The New York Times Book Review is afraid to say when a popular book is crap,” he said. Stein thinks The Goldfinch might misrepresent fiction as a whole. “What worries me is that people who read only one or two books a year will plunk down their money for The Goldfinch, and read it, and tell themselves they like it, but deep down will be profoundly bored, because they aren’t children, and will quietly give up on the whole enterprise when, in fact, fiction—realistic fiction, old or new—is as alive and gripping as it’s ever been.”
None of these reviews hurt The Goldfinch, of course, which is still a huge best-seller. It’s so popular that even though it’s a Hachette title, it’s exempt from the current Amazon-Hachette feud. While other Hachette books, such as Malcolm Gladwell’s, might take three weeks to get to your house, Amazon offers regular shipping for Tartt’s novel.
Most people probably didn’t go out and buy The Goldfinch because they heard it has “fine-chiseled sentences” or whatever other phrase usually employed to praise a work of literary fiction. I suspect they picked it up because they heard it tells a great story — the book’s popularity seems to rest on Tartt’s storytelling skills and not on her prose (in her review of The Goldfinch, Francine Prose wrote about Tartt’s “baffling turns of phrase”). Even the Pulitzer committee said the book “stimulates the mind and touches the heart” but didn’t mention anything about the writing style.
Did you love The Goldfinch or hate it? And why?