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The EW pull list: The best comics of November (so far)

Welcome to the EW Pull List, a regular selection of some of the most interesting comics and graphic novels available. 

At first blush, The Wake—winner of this year’s Eisner award for best limited series—looks like a horror comic. And for a while, it is. But only for a while.

Written by Scott Snyder with art by Sean Murphy, The Wake begins with Dr. Lee Archer, a marine biologist called down to examine a monster at a secret undersea base. What starts as Alien many leagues below the sea becomes something grander in scope, a story about beginnings and endings and survival.

Bringing that story to life is Sean Murphy’s dense, moody linework. Murphy is absurdly talented—his work is instantly recognizable and worth the price of admission alone. That it’s paired with the work of superstar colorist Matt Hollingsworth makes it all the better. Scott Snyder’s story is fantastic too—perfectly paced, it’s both sweeping and personal; a wonderful piece of genre fiction with a real beating heart. READ FULL STORY

'ODY-C' writer Matt Fraction talks about creating a comic epic

Think of Homer’s classic tale, The Odyssey. Now think of The Odyssey, but re-imagined as a gender-bent sci-fi space adventure—and in comic form. Sound intriguing? That’s the premise of Image Comics’ Ody-C, from writer Matt Fraction and artist Christian Ward.

As the Eisner Award winning genius behind acclaimed titles such as Sex Criminals, Hawkeye and The Invincible Iron Man, Fraction is no stranger to crafting narratives that are as smart as the are compelling. But gender-bending one of the most complicated classics ever written? Well, that’s an entirely new challenge altogether.

In advance of the comic’s debut next week, EW spoke with Fraction about bringing ODY-C to life, a little book called Sex Criminals, and that darn half-marathon he just ran.

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First look: Grant Morrison and Chris Burnham's human-hating horror comic 'Nameless'

Announced at the beginning of this year, Nameless is a forthcoming six-issue miniseries by Grant Morrison and Chris Burnham. Described by Morrison as his first full-on horror comic, both he and Burnham have been working very hard to find some of the most terrifying, depraved ideas ever dreamed up for the hero, Nameless, to face. Below, courtesy of Image Comics, EW has an exclusive first look at preview pages from Nameless #1.

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Frank Quitely and Grant Morrison talk about reuniting for 'Multiversity: Pax Americana'

There are a number of reasons why The Multiversity: Pax Americana #1 is one of the most interesting comics coming out this week. First and most obvious—it’s more Multiversity (the fourth installment, for those keeping score.) But it also marks the latest collaboration between writer Grant Morrison and artist Frank Quitely, a pairing that consistently puts out career-defining work. Also of interest is Pax Americana‘s setting—Earth-4, home to the characters DC acquired from Charlton Comics, which were the inspiration for the cast of characters used by Alan Moore and Dave Gibbons in Watchmen.

Interested? Below, see some stunning exclusive preview pages and read a Q&A with Morrison and Quitely.

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'Superior Iron Man' plays up Silicon Valley's dark side

Tony Stark is a character who’s supposed to be all about progress and looking toward the future, but there’s one aspect of his character that’s always seemed a little incongruous: He’s a weapons manufacturer. Part of this is necessary for the redemptive arc that makes him a hero—he’s a war profiteer who comes to grips with the effect he has on the world, and decides to take responsibility for it. But he’s also a futurist, celebrated for being one of the most brilliant minds in the Marvel Universe. Stark’s superpower is his genius, and his history in arms manufacturing informs the way he develops technological solutions. But it’s big. It’s corporate. It’s very out of touch.

Superior Iron Man, however, paints a Tony Stark who’s decidedly different—and relevant.

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NASA meets time travel in Mark Millar and Sean Murphy's 'Chrononauts'

What if we explored time the way we did space—with expeditions manned by our best and brightest as the whole world watches on live television? That’s the premise behind Chrononauts, a new Image Comics series by Mark Millar (Kick-Ass, The Secret Service) and Sean Murphy (Punk Rock Jesus, The Wake). 

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The best comics and graphic novels of October

October was a pretty good month for comics. Hardly a week went by without a number of great titles hitting the stands, both digital and physical—so many, you may have missed a few. So before you dive ahead into November, take a look at these comics that came out in October. It’d be a shame if you missed them.

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New York Comic-Con: The biggest comic news from this year's show

While it isn’t quite the pop culture juggernaut that San Diego Comic-Con has become, New York Comic-Con is still a very big, very crowded show with lots to see and do. However, not having the media circus that is Hall H comes with its perks: NYCC feels much more focused on comics—even if there aren’t as many new titles announced.

This year was a bit light on comics news when compared to San Diego, but the industry has a large number of conventions held throughout the year, and big news can come out of any of them. Here’s the most exciting stuff to come out of New York last weekend:

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Artist Jason Latour tells you why you should read 'Southern Bastards'

Southern Bastards isn’t your usual crime comic. Set in the fictional Craw County, Alabama, the story features a man on a mission to clean up his town with nothing but a stick locking horns with a crime boss who happens to be the local high-school football coach. READ FULL STORY

'Sex Criminals' creators give you the worst sex advice ever with 'Just the Tips' (NSFW)

Just-the-Tips

Let’s start with a question: Are you reading Sex Criminals? Because you should be. Matt Fraction and Chip Zdarsky’s comic about a couple who can stop time whenever they have sex—and therefore turn to a life of crime—is both hilariously raunchy and deeply heartfelt, frank in its language but never titillating. That’s always been the sort of metajoke with the book—if you only give it a cursory glance, it’s easy to write off as prurient and crude, but if you take the time to read it, you’ll be met with a thoughtful story that’s actually about sex, and not just full of it.

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