When Entertainment Weekly first spoke to actor Greg Sestero back in 2008 the cult which surrounded his film The Room was still a small, mostly Los Angeles-based affair. Six years on, director-writer-star Tommy Wiseau’s fantastically awful film has become famous around the world and Sestero’s recent memoir The Disaster Artist – which concerns both the film’s production and his friendship with Wiseau — has been optioned by James Franco. READ FULL STORY
Tag: Book (11-20 of 166)
As an executive producer on CW’s Arrow, Marc Guggenheim knows how to pull off an awesome cliffhanger. Which is why anyone who has come to the ending of his new book, Overwatch, about a lawyer who finds himself unraveling a CIA conspiracy, was probably left wondering, ‘…and now what?!’
We thought the same thing and set out for some answers.
“I think the two reasons I really want to do another novel is because I have [a] story to tell,” Guggenheim says of his in-the-works sequel. “And then the second reason, quite frankly, is that I feel like I learned so much [during the first book], I want to put that knowledge to use.”
Below, Guggenheim opens up about the Overwatch follow-up and which characters will (and won’t!) be returning.
[In other words, book spoilers below.] READ FULL STORY
Donna Tartt’s sprawling literary epic that centers on a mysterious little painting has taken the 2014 Pulitzer Prize for fiction, besting other lengthy titles, such as The Son by Philipp Meyer and The Woman Who Lost Her Soul by Bob Shacochis, both of which received “A” grades from EW. READ FULL STORY
Just admit it: you’re head over heels for Reign. Ratings for the racy CW drama have been steadily rising – look no further than Thursday’s lavish wedding episode, which earned its highest viewership of the season – which seem to indicate the market for edgy princess drama is holding its own.
And with good reason. The 16th century, with its corseted dresses, complicated transnational politics, torrid affairs, absurd wigs and class struggles, has long inspired period television drama and film. Hundreds of authors have been similarly inspired, penning a host of deliciously scandalous offerings meant to satisfy your craving for all things bejeweled, lusty and forbidden. So if you’re longing for more after Reign’s last episode, there are plenty of books to choose from. Here’s a look at three of our very favorite princess books, complete with epic romance, sprawling castles, the Queen’s English, and a gripping storyline revolving around a throne at stake. READ FULL STORY
Using a similar approach as she took with Harry Potter, J.K. Rowling has plans to write up to seven novels in her Cormoran Strike series, according to The Sunday Times. Rowling, writing under the name Robert Galbraith, has already had solid success with the detective genre. Her first book, The Cuckoo’s Calling, was published last April and has sold 600,000 hardback copies and 1 million ebooks. As we announced last week, the sequel The Silkworm is coming out in June 2014.
Harriet M. Welsch would eat Anne of Green Gables for lunch.
Not literally, of course: Anne isn’t a tomato sandwich. But if the two went toe-to-toe in some sort of battle royal for 11-year-olds, Lucy Maud Montgomery’s plucky orphan wouldn’t stand a chance. Unlike Anne — and Pippi Longstocking, and Pollyanna, and countless other cheery kid-lit protagonists — Louise Fitzhugh’s Harriet isn’t friendly or agreeable. She’s rude, impatient, temperamental, arrogant, and sharp, especially when taking vengeance on the classmates who read her meticulously kept notebook.
Harriet is, in short, a jerk — but a smart, perceptive, lovable jerk, one who’s wholly relatable whether you’re 11 or several times that age. When I’m snaking my way through a crowd of cement-footed commuters, I can hear Harriet’s indignant voice whispering in my ear: “Fast. That’s the way I move, fast. What’s wrong with that?” When I surreptitiously write down snippets of strangers’ conversations — what, doesn’t everybody? — I can sense her silent nod of approval.
Harriet’s edge has won her scores of fans, including novelist Jonathan Franzen. “I don’t know of a better novel about the costs and rewards of being a truth teller,” Franzen says in a cover blurb for Harriet the Spy‘s 50th-anniversary edition, which will be released Feb. 25. “I love the story of Harriet so much I feel as if I lived it.”
I get where he’s coming from. When I first discovered Harriet circa second grade, I had never even heard of her favorite drink (the egg cream) or the contraption she uses to spy on crazy old Mrs. Plumber (a dumbwaiter). She was an only child in 1960s New York; I was the youngest of three in 1990s Pittsburgh. While we both sported glasses, hers were merely cosmetic; she wore them “because she thought they made her look smarter.”
But those surface details hardly mattered. Like Franzen, I identified so fully with Harriet — her emotions, fear of change, frustration, and loneliness — that she instantly felt like an old friend. Inspired by her, I even started keeping a journal in which I carefully wrote mean things about my friends. During a fateful fifth-grade camping trip, that choice came back to bite me…hard. (P.S. Katy, Julia, Whitney, Kate — I’m still sorry.)
Despite that episode, Harriet wasn’t a bad influence. My bond with her was so strong precisely because her faults and virtues mirrored my own. Later incarnations of the character penned by people other than Fitzhugh — the 1996 film that introduced me to fan rage (Ole Golly does not look like Rosie O’Donnell), two wan sequels by Helen Ericson and Maya Gold, a horrific 2010 TV movie called Harriet the Spy: Blog Wars — fail to capture what made the original so captivating because they turn her into someone the real Harriet would find insipid. Thank heavens, then, for this anniversary edition, which I hope will introduce a new generation to my endearingly jerky little heroine.
You better hope you haven’t been nominated for any book prizes this year. (No, not really. Let’s hope you have.) A new study coming out in the March issue of Administrative Science Quarterly finds that prize winners face a backlash from readers. According to The Guardian, Amanda Sharkey and Balázs Kovács looked at 38,817 reader reviews on GoodReads.com. They compared the reviews of books that had won an award to reviews of books that had not. Apparently the reviews of the award winners took a notable nose dive after their authors’ accolades were announced. Sharkey and Kovács hypothesized that “many readers who are drawn in by prize-winning books tend to have tastes that are simply not predisposed to liking the types of books that win prizes.” That sounds like a circumspect way of calling us superficial social climbers for reading a book because it won an award. Doesn’t everyone presume something award-winning must be particularly outstanding and therefore worthy of our time? That doesn’t mean every book that wins a Booker Prize or every movie that wins an Oscar or every restaurant that wins a James Beard Award is going to be your favorite thing ever, but still it’s worth a shot. Also, checking Goodreads.com for your case study seems pretty amateur. What do you guys think? [The Guardian]
Harper Lee settled her federal lawsuit against the Monroe County Heritage Museum in Monroeville, Alabama. As we reported in October, the reclusive author sued her hometown museum for selling souvenirs of To Kill A Mockingbird without compensating her. She was also embroiled in a lawsuit against her former literary agent last year over the copyright to her book. Those charges were dismissed after the parties reached an out of court settlement. [AP] [ABC News] READ FULL STORY
Haruki Murakami’s new novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage, will be published in the U.S. on August 12th. The book has been out in Japan since last April and sold more than a million copies in its first week. The Guardian writes that the story “hinges around Tsukuru Tazaki, an isolated 36-year-old man struggling to overcome the trauma of rejection by his high-school friends years earlier. Like its title, the novel’s opening line might not sound like obvious best-seller material: ‘From July of his sophomore year at college to January next year, Tsukuru Tazaki was living while mostly thinking about dying.'”
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