Tag: Amazon (11-20 of 28)

Oct 11 2011 11:37 AM ET

On the Books: 'Sookie Stackhouse' author Charlaine Harris to write graphic novel trilogy, Penny Marshall to release memoir through Amazon

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Image Credit: Alberto E. Rodriguez/Getty Images

++ Charlaine Harris’ extremely popular Sookie Stackhouse series, which inspired HBO’s True Blood, will be coming to an end after book 13 (slated for May 2013). However, she’s already busy writing Cemetery Girl, the first volume in a graphic novel trilogy illustrated by Don Kramer. The upcoming series will follow an amnesiac girl living alone in a graveyard.

++ Amazon, which has been steadily growing its roster of authors, has announced that it will publish Penny Marshall’s memoir My Mother Was Nuts in Fall 2012. Amazon’s offer for the memoir rights, which is said to have been considerable, beat out those of several other traditional publishers. Marshall’s literary agent Dan Strone says that Amazon’s offer also included a much higher royalty on e-books than the 25 percent normally given by publishers.

Oct 7 2011 05:44 PM ET

Barnes and Noble removes Sandman, Watchmen, and other graphic novels from its shelves

My attention was caught this morning by a tweet from Neil Gaiman: “Really? Barnes and Noble will no longer sell Sandman or Watchmen?” It turns out to be true: The company was angered by DC Comics’ deal  with Amazon to sell 100 graphic novels –including Gaiman’s — exclusively on the Kindle Fire. So it ordered stores to begin stripping the DC books from their shelves. Later today, B&N issued a statement to CNN that said, in part,

“Regardless of the publisher, we will not stock physical books in our stores if we are not offered the available digital format…To sell and promote the physical book in our store showrooms and not have the e-book available for sale would undermine our promise to Barnes & Noble customer to make available any book, anywhere.”

Some Barnes & Noble stores — like the one nearest EW’s office — had completely removed the graphic novels in question by midafternoon. Other branches, like the one not far from my house in upstate New York, appear to not have heard the corporate message.

Has anyone seen this today at a Barnes & Noble? What do you think about it?

Sep 28 2011 03:12 PM ET

Kindle Touch: A closer look at cool new features, and what it means for book lovers

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Image Credit: Emmanuel Dunand/AFP/Getty Images

At a press event this morning, in which Amazon announced its game-changing new products, there were a whole lot of tech writers and a handful of books people in attendance. You could tell who was who pretty easily: The techies’ fingers were atwitter, either Tweeting or frantically live-blogging Jeff Bezos’ every word, whereas a number of the books people carried pads (not of the “i” variety) and pens. To the techies, the most interesting person in the room was obviously Bezos; to a lot of the books people, the man of the hour was Larry Kirshbaum, the popular New York publishing veteran who’s now heading up the Amazon Publishing unit.

Kirshbaum probably personifies the meeting of traditional and digital publishing better than anyone else, having headed up Time Warner Books before wrangling authors to write Amazon originals. Before Bezos took the stage, Kirshbaum chatted up the print folks, including The New Yorker‘s Ken Auletta and a couple of Houghton Mifflin Harcourt editors who were visiting from Boston. Traditional publishers generally have mixed to negative opinions of Amazon — I’d imagine Kirshbaum has some complicated feelings himself — but Bezos started off the proceedings with a somewhat conciliatory message to put the old school publishers at ease: Amazon still sells plenty of physical books. In the slide above, you see that sales of physical books are increasing; Kindle book sales are increasing, too, just exponentially.

Bezos launched into a lengthy speech on the current Kindle’s incredible success before he made the first big announcement of the day: the Kindle Touch. READ FULL STORY »

Dec 27 2010 06:57 PM ET

Kindle becomes Amazon's bestselling product of all time, edging out 'Harry Potter'

Kindle-PotterIn the words of Dr. Egon Spengler, print is dead. Or at least it’s one step closer to that great library in the sky, according to Amazon’s announcement today that the third-generation model of their electronic reader, the Kindle, is now their biggest selling item ever, pulling ahead of Harry Potter and the Deathly Hallows, the previous title-holder. While the e-tail giant didn’t give out any concrete numbers, it’s likely that the relatively low $139 price tag helped to move a lot of units over the holidays. According to Amazon.com founder Jeff Bezos, the e-reader also did not experience the kind of competition from the iPad and other tablet devices that people were expecting because owning one does not obviate owning the other. “We’re seeing that many of the people who are buying Kindles also own an LCD tablet,” Bezos said in a statement. ”Customers report using their LCD tablets for games, movies and Web browsing, and their Kindles for reading sessions.”

Jul 26 2010 02:59 PM ET

Literary agent Andrew Wylie signs controversial exclusive deal with Amazon

Andrew Wylie is one of the book world’s most notorious agents who, in reality show parlance, definitely isn’t here to make friends. Dubbed “the Jackal,” if that gives you an idea of how he’s viewed, Wylie is best known for successfully extracting enormous advances from publishers for his big-name clients, as well as poaching authors from other agents. Now the highly visible agent, whose stable includes the likes of Dave Eggers, Salman Rushdie and Philip Roth (as well as the estates of Nabokov and Updike) is creating a stir in the realm of e-books.

Last week Wylie signed a deal with Amazon for exclusive e-book rights to his clients’ novels, including such classics as Roth’s Portnoy’s Complaint and Ralph Ellison’s Invisible Man. For at least two years, these works will only be available via the online retailer and only on Amazon’s Kindle or devices with the downloaded Kindle app. Many are considering this a literary monopoly, vertical integration for a medium barely into its infancy. And where even the famously hermetic and anti-third party iPad permits users to download e-books from a variety of sources, the Kindle only allows readers to access digital copies from Amazon. Random House, which published a number of the titles covered by the deal, has since announced their intentions to dispute its legality. Random House spokesman Stuart Applebaum issued a statement which said, in part, “The Wylie Agency’s decision to sell e-books exclusively to Amazon for titles which are subject to active Random House agreements undermines our longstanding commitments to and investments in our authors, and it establishes this Agency as our direct competitor. Therefore, regrettably, Random House on a worldwide basis will not be entering into any new English-language business agreements with the Wylie Agency until this situation is resolved.”

Square Books, an independent bookstore in Oxford, Mississippi, has a compelling take on the whole situation.

What do you think about the issue, Shelf Lifers?

Jul 21 2010 02:58 PM ET

E-books outsell hardcovers on Amazon: Which format do you prefer?

With Amazon’s announcement that the online retailer now sells more e-books than it does physical hardcovers, it seems as good a time as any to gauge where the battle-lines are being drawn. Some of the more tech-savvy among us may prefer the large storage capacities and easy portability of e-readers (anyone with a sizable library who has had to move can appreciate that), while others believe that you’ll never be able to beat the feeling of holding a book in your hands. Which side are you on?

Jun 22 2010 02:10 PM ET

Amazon, Barnes & Noble cut e-reader prices

kindle-nookEveryone slap on your helmets, grab your rifles, and dive into your foxholes, it’s a price war! Amazon has cut the price of its Kindle e-reader down to $189, a $70 slash from the $259 it was previously charging. This came only a few hours after Barnes & Noble announced the new price for its e-reader, the Nook: $199. Ouch.

The battle between the retail giants has raged for a while now, and it will open up on yet another front when Borders releases its e-reader, the Kobo, in July. One likely impetus for the dual price drops was an attempt to preemptively take the wind out of Borders’ sails by shortening the distance between the three e-readers’ costs before the Kobo hits stores. All this scrambling and fluctuating is really just evidence that these companies are still trying to get their footing in a market for a technology whose future is somewhat unclear. The launch of the iPad earlier this year only made things murkier; it has been difficult to assess just how much Apple’s tablet will affect e-reader sales. But regardless of which company ends up on top, the one clear winner here is the consumer. The new prices are significantly better than $259, and much, much cheaper than the iPad’s $499 sticker.

What do you think, Shelf-Lifers? Is this price cut enough to make you want to switch over to e-reading? Or will you hold out for even lower prices?

Mar 18 2010 01:17 PM ET

Amazon plays hardball with publishers over e-book pricing

The Amazon rainforest is a pretty inhospitable place, where the law of survival of the fittest is taken to a harsh extreme. Amazon.com seems to have taken a cue from its namesake with its latest tactics with publishers to remain king of the e-book jungle, or at least ensure that no Apples grow there.

According to the New York Times, the online retail powerhouse has threatened to stop selling books from certain publishers if they don’t agree to its pricing terms for e-books. (Independent publishers in particular seem to be feeling the heat.) This news comes just before the launch of Amazon’s biggest potential competitor, Apple’s iBookstore for its iPad tablet device. Most of America’s largest publishers, excluding only Random House, will be selling books through iBookstore, under terms that allow them to set their own prices, a concession Amazon has been loath to make. Earlier this year, Amazon and Macmillan got into a big, bad brawl (or at least as bad as fights in the publishing world can get), when the retailer removed the “buy” button from the publishing house’s books in an attempt to pressure the publisher into accepting fixed Kindle-edition pricing. Amazon eventually blinked, but clearly the company hasn’t abandoned this line of attack.

The marketplace is getting pretty heated, and I imagine that as the first true pretender to Amazon’s electronic book throne finally enters the ring, it’ll only get worse. I can’t help but think that Amazon’s strong-arm strategy feels a little like the desperate actions of the king who can hear the restless villagers at his doorstep and knows that his time ruling alone at the top, while fun and super-profitable, will soon come to an end. What do you think? Do you agree with Amazon that $12.99-$14.99 is “needlessly high” a price to pay for an e-book, or is the online giant just throwing its weight around?

Mar 8 2010 02:13 PM ET

Self-publishing: Is it a viable alternative for authors?

Usually self-published authors are either graduate students or first cousins who somehow manage to convince you to purchase six copies of their 600-page novel Love Means Never Having to Say You’re Hungry.

But now a two-time PEN/Faulkner winner and National Book Award finalist is stepping into the mix. John Edgar Wideman will be releasing his latest collection of short stories via Lulu, a self-publishing company that releases submitted work either as an e-book or printed-on-demand. Briefs: Stories for the Palm of the Mind, available starting March 14, will be one of few works from an already established author to bypass the mainstream industry entirely. Another is JA Konrath, who, after having a collection of his stories rejected by publishing houses, turned to the Internet and self-published his own  Kindle ebook. Less than one year later, Konrath has sold nearly 30,000 copies and he expects to earn as much as $43,800 this year on that e-book alone. Proof positive that profit is possible with this model.

If self-publishing becomes a more acceptable practice for big-name writers, it could lead to an interesting shift in the landscape of the book industry. Authors would clearly exercise greater control over their work, its distribution, and, importantly, its price. There may always be a need some sort of intermediary like Lulu, which takes a 20 percent cut of the revenue, or Amazon, which will double its royalty rates for self-published authors beginning in July, but those mechanisms are negligible when compared to the established industry. It could even make the market more Darwinian: Without advances or heavy advertising, success or failure would  be wholly dependent on whether or not people are willing to pay to read your words. Clearly, established authors would have a leg up here, which is why it’s remarkable how few of them aside from Konrath and Wideman are willing to try to establish some vertical integration for their own output.

How about you? Do you support self-publishing? If this practice caught on, do you think it’d end up being a good or a bad thing for books?

Feb 22 2010 10:50 AM ET

What's an e-book really worth?

Oh, if only Johannes Gutenberg could read the Amazon message boards, he would probably be…horrified. Readers turning against authors, publishers, and each other; readers lamenting $10 price tags because new books just aren’t worth that much; readers admitting that they read more from a screen than they ever would on paper. The value of the printed word that Gutenberg invented, some 500 years ago, just isn’t what it used to be.

Until the iPad came along, that is, and breathed new life into a wilting publishing industry. The device’s iBook store follows an agency model approach to selling electronic copies, meaning publishers can set their own prices (from $12.99 to $14.99) and keep 70 percent of the profits. Naturally, five of the country’s six biggest publishers—Hachette, HarperCollins, Macmillan, the Penguin Group, and Simon & Schuster—cut deals with Apple to be part of its new e-book marketplace even before the iPad launched. These newly empowered publishers also began rethinking their deal with Amazon.com, which has dominated the e-book market since the Kindle’s 2007 debut. Despite competition from Barnes & Noble and Sony, the company still enjoys 90 percent of the e-book market, thanks to a $9.99-per-book mantra that helped lure millions of customers to the Kindle store (and also pissed off publishers, who had to settle for a much-slashed “cover” price until the iPad’s promise of pricing autonomy went public).

So the publishers took their post-iPad bargaining chip—their revalued content—straight to Amazon and demanded more per e-book for the Kindle. First it was Macmillan, who won their case when Amazon agreed to raise consumer prices; and then it was HarperCollins and then Hachette Book Group. All of them argued for higher price points that, as Hachette CEO David Young said, “reflect the value of our authors’ works.” In other words, something that the Amazon.com bargain-basement prices do not.

Another wrinkle in the saga, according to last Thurday’s New York Times, is that Apple may have added its own discounting terms into their contracts to keep its competitive edge. Which begs the question at the heart of this pricing melee between publishers and Amazon (and now, frustrated readers and authors): What is an e-book really worth, when you can’t share it or store it on a (physical) shelf once you’ve finished it? Does a higher price tag validate an author’s craft, or just make it more inaccessible to the audience?

If you just looked at the Kindle store, and examined which titles are flying off the virtual shelves, books would seem to be one of the company’s least valuable commodities: 15 of Amazon’s top 25 e-book bestsellers are free, and eight more cost less than $9.99. There’s no doubt these deep discounts also help sell the Kindle itself—the lower the book prices, the more useful the device is, so more people buy the e-reader and the company can compensate for the lower per-book price. It’s great for the devoted reader—many commenters on the company’s Macmillan deal discussion thread say they read way more on a Kindle than they ever did before.

What do you think, Shelf Lifers? Do you think that e-books devalue the published word or promote authors and reading itself? Would you pay $14.99 for an e-book?

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