Archive: February 2011 (1-10 of 30)

Feb 27 2011 03:03 PM ET

'The Amazing Spider-Man': In praise of Marcos Martin's amazing artistry

Categories: Comic Books

Amazing-Spider-Man-655In my reading of comic books, and in my coverage of comic books as a journalist, I tend to pay more attention to the artists who write the words than those who draw the pictures. It’s not that I don’t appreciate what pencilers, inkers and colorists do; I do, even if I often don’t give them the thought (and ink) they deserve. I promise to change. But I am a child of the ’80s, the decade that introduced us to Alan Moore, Grant Morrison and Neil Gaiman and ushered in the era of the auteur scribe — inventive, intelligent scripters with a vision and distinctive authorial voice that was discernable no matter who was making the pictures, even if you didn’t like the pictures. The irony, of course, is that the only reason I purchased my first Alan Moore comic (Swamp Thing #36) was because when I dared to pick it up and leaf through it, the art work of Stephen Bissette and John Totleben knocked me on my ass. Here’s the truth: When you go to the comic book store fishing for The Next Good Thing, chances are it’ll be the visual storytelling, not the word balloons, that’ll hook you. And for me, it often comes down to one arresting page — one that stops me in my flip-through tracks and makes me go: “There’s something special going on here — something worth my time.”

Last Saturday, I had exactly such an experience in my local comic book shop, a dimly lit, uncomfortably humid shoebox of a place tucked away in a strip mall in Long Beach, California. The comic: The Amazing Spider-Man #655. READ FULL STORY »

Feb 26 2011 06:29 PM ET

'Fantastic Four' #588: Mourning The Torch's snuffing with a 'Nuff Said' issue

Categories: Comic Books

fantastic-four-spidermanImage Credit: Marvel EntertainmentHow do you follow up a splashy superhero death? With a funeral, of course. Or at least an issue marked by a decidedly funereal tone. Comic book creators have produced some memorably moving stories exploring superhero grief. Chris Claremont and John Byrne staged one of the medium’s finest requiem tales in X-Men #138, which had Cyclops reflecting on the history of his super-team – and ultimately resigning from it — as he tried to come to grips with the death of his true love Jean Grey. Writer/artist Frank Miller wrote two powerfully offbeat mourning stories for Daredevil after having the psychopathic assassin Bullseye skewer the blind hero’s troubled lover Elektra with her own sais: Daredevil #182, in which The Man Without Fear became obsessed with the notion that Elektra was still alive, and What If…? # 35, in which The Watcher told Matt Murdock of an alternate world where Elektra still lived.

In the wake of The Human Torch’s highly publicized (and well executed) snuffing in Fantastic Four #587, acclaimed scribe Jonathan Hickman has penned an issue full of quietly observed grief, one that marks the end of the Fantastic Four’s flagship title and sets up a new book, FF, launching next month. READ FULL STORY »

Feb 25 2011 05:32 PM ET

Reading the Best Adapted Screenplay Oscar category: The book isn't always better

Winters-BoneImage Credit: Sebastian MlynarskiAs a huge nerd, the Oscar category I anticipate most each year is Best Adapted Screenplay. There’s something uniquely creative and scholarly about deconstructing a book line-by-line, condensing several scenes into one, inventing devices to lend greater truth to the narrative, and building with images the unspoken words that authors have the luxury of telling readers outright. I like imagining how beaten, dog-eared, and annotated the screenwriter’s copy of the source material must be, and the adapter’s inevitable hours of turmoil of having to sacrifice beautiful scenes for the ruthless economy required of a good film.

It bothers me when people say, “The book is always better than the movie.” It’s a blanket statement I think people say to sound smart, but it’s simply not true (unless you’re talking about Harry Potter). The Devil Wears Prada the movie was leagues better than the charmless book by Lauren Weisberger. The Godfather films will long outlast Mario Puzo’s pulpy potboiler. In the hands of screenwriters and directors who aren’t afraid to take risks, a film adaptation can elevate the source material into a new stratosphere. READ FULL STORY »

Feb 25 2011 04:03 PM ET

James Franco talks poetry, 'Broken Tower,' and a whole lot of higher learning

James-FrancoImage Credit: Jon Furniss/WireImage.comJames Franco sat down with the Poetry Foundation to sound off on his latest poetry obsessions, including gay modernist poet Hart Crane, who he played in the upcoming biopic The Broken Tower (he also directed). Reading Franco’s lengthy, detailed responses, you can detect not only the caffeine that he undoubtedly needs in order to function—the man has a lot going on—but also a deep knowledge and genuine geek-fandom of his poetry heroes.

While Franco’s proves himself a discriminating poetry connoisseur, he seems equally opinionated on the finer points of the many institutions of higher learning he’s attended. Naysayers might have taken issue with his admission to Yale’s English PhD program, but the Ivy League doesn’t bow to his every wish just because he’s a movie star—Columbia wouldn’t even let him take poetry and fiction classes at the same time. But at this point, we know there’s so stopping this guy from getting educated:

James Franco: When I was at Columbia there were some great poets there, and I wanted to study with Richard Howard. I was in one of his lectures, but I wanted to take a poetry workshop with him, but they just said no [laughs]. You can cross over in the lectures and seminars, but fiction writers are not allowed to go to the poetry workshops. So I asked this guy named Ian R. Wilson, who taught me at UCLA Extension, what I should do. I had gone to UCLA when I was 18 to get my bachelor’s in English, and then I left after a year to act. I went back eight years later to finish, but before I re-enrolled, I took some classes through UCLA Extension. And I took a couple of writing classes with this guy named Ian R. Wilson.

It’s funny because the UCLA Extension writing classes have a great history—Michael Cunningham taught there, and John Rechy and Janet Fitch—so I took some classes there, and this guy Ian R. Wilson was my teacher. He wrote both fiction and poetry, and so when Columbia told me that I couldn’t take the poetry classes, I was pissed off. So I asked him, “Where should I go? I want a place so I can study poetry seriously.” Even though I am at Yale now, sure there are some classes on contemporary poetry, but not in the way that it’s studied at Warren Wilson.

At Yale, you study the Romantics, you study Whitman, but not contemporary poetry. Ian said, “For my money, Warren Wilson is the best poetry program in the country as far as the faculty goes and the way the program is run and the attention you get. You should go there.” And so I applied and they let me in.

Yeah. And he hasn’t even named all the schools he’s attended or taught at. It’s all very admirable, but is there a word for an addiction to education—maybe pedantiphilia?

Feb 24 2011 11:24 AM ET

New David Foster Wallace documentary remembers the late author, tugs at the heartstrings

Categories:

David-Foster-WallaceImage Credit: Marion EttlingerThe BBC brings us “Endnotes,” the first big David Foster Wallace documentary since his suicide in September of 2008—and it’s a good one. Professor Geoff Ward does Wallace’s significant life and work justice in a tight 45 minutes, including interviews with peer Rick Moody and college roommate Mark Costello, as well as Don DeLillo, editors, and his sister. My favorite parts of the doc were the moments when people would rhapsodize about his writing. Professor Ward elevated his language when talking about Wallace’s, describing his singular style as “recursive loops and linguistic curlicues, all buttressed by his signature footnotes.”

I remember reading A Supposedly Fun Thing I’ll Never Do Again—on a cruise ship, no less—and feeling awe and immense jealousy in equal parts. I think most everyone who reads Wallace feels that way on some level: He’s just so much smarter than you, yet he’s so fun and interesting to read. It’s fascinating hearing interviews with Wallace himself—he comes across as bright, intense, savvy—with the knowledge that, at least later in his life, he became seriously disturbed. His preoccupation with aloneness may have tormented his mind, but its influence on his work left a lasting legacy.

Listen to “Endnotes” below:

<p><a href=”http://vimeo.com/19929771″>Endnotes: David Foster Wallace</a> from <a href=”http://vimeo.com/user2896451″>georgelazenby</a> on <a href=”http://vimeo.com”>Vimeo</a>.</p>

Feb 24 2011 11:23 AM ET

On the Books Feb. 24th: Mark Zuckerberg the comic book hero, Katie Couric's advice, hip Kindle commercial, and more

zuckerberg-comicMark Zuckerberg got the Hollywood treatment with The Social Network, and now he’s getting a much more positive portrayal in comic book form. Since Hollywood has never met a comic book man of action it doesn’t love, I’m just waiting for another Zuckerberg movie–a reboot, if you will–this time based on the illustrated version.

Katie Couric is assembling a book, The Best Advice I Ever Got, to be released April 12th. Inspired by her well reserved graduation speech at Case Western University last May, she has collected over 114 essays from notable individuals, from Salman Rushdie to Chelsea Handler.

Celebrated comic book and animation writer Dwayne McDuffie died Monday of complications after undergoing emergency heart surgery. Among many others, McDuffie worked on Batman, Justice League, Fantastic Four, and Spider-Man comics.

Taking a breather from her legal woes, The Help author Kathryn Stockett answered questions during a talkback session post-show at Driving Miss Daisy last night. She spoke about witnessing racism growing up in Mississippi in the 80’s, and she dropped few hints about the film version of her book, other than that she doesn’t have a cameo.

Cal Ripken Jr. can now add “novelist” to his resume with YA baseball book Hothead.

Sexy, hip new Kindle commercial takes jabs at the iPad and also the paperback, which is like kicking a dead horse while it’s down (see what I did there?).

Feb 23 2011 10:01 AM ET

On the Books Feb. 23: Spike Lee's new picture book, Sarah Palin's secret Facebook account, long-lost Jefferson letters, and more

spike-leeImage Credit: Kevork Djansezian/Getty ImagesFilmmaker Spike Lee and his wife Tonya Lewis Lee have written a picture book, Giant Steps to Change the World. The book centers on individuals who “made giant steps to make the world a better place/and left big shoes for you to fill.”

According to the leaked, unauthorized biography by a former Sarah Palin aide, Frank Bailey, Palin apparently has a secret Facebook account that is used to “Like” many of her daughter’s updates on the site, as well as those of Palin’s own profile. I’m sure there are way juicier revelations in the book, but I find this quite scandalous. That’s poor Facebook form.

Two researchers uncovered 69 books, some of which include handwritten notes, that belonged to Thomas Jefferson in the Washington University of St. Louis rare book collection. The search continues in the collection for even more volumes from the Founding Father. I smell a National Treasure sequel.

Book review wars between snippy authors aren’t uncommon, but apparently, writing a bad review in France can get you sued.

Book-shoppers around the country pay final respects to Borders stores before they shutter for good. Also, a roundup of commentary about Borders’ demise and what it means in the long-run.

Johnny Depp admits to being a “comic-book head” as a kid and names his favorite comic book characters.

If you guys out there think book clubs are a hobby firmly in the ladies’ domain–think Oprah, white wine, Kathryn Stockett–you’re wrong. You book-talking men may have compatriots … in the UK, at least.

Feb 23 2011 09:00 AM ET

Comedian Michael Showalter talks fears, 'Housewives,' and his new book, 'Mr. Funny Pants'

Showalter-MrFunnypantsImage Credit: Showalter: Charles Eshelman/FilmMagicThose who have seen the criminally under-appreciated film Wet Hot American Summer can attest to writer/actor Michael Showalter’s truly unique humor. The same can be said for fans of his various television credits, which include Michael & Michael Have Issues and The Michael Showalter Showalter. The Brooklyn comic (and one-third of the comedy team Stella) has brought his wit to bookshelves everywhere — except approximately 200 Borders locations — with his first book, Mr. Funny Pants. We caught up with he of the humorous trousers to discuss the book as well as his latest foray into viral videos.

READ FULL STORY »

Feb 21 2011 10:53 AM ET

On the Books Feb. 21: Jesse James tells all, gay author-producer dies, the fading of marginalia

jesse-jamesImage Credit: Jason Merritt/Getty ImagesAnother unbelievably tasteless tell-all memoir in the works: Jesse James has reportedly signed on with Gallery Books, an imprint of Simon & Schuster, to write a book that will divulge intimate details about his marriage to Sandra Bullock and his engagement to Kat von D. The only book by James that I’d maybe read is a tattoo book. And I’d only flip through it at the bookstore, not pay good money for it.

Perry Moore, gay author and executive producer of the Narnia series, died last week of unknown causes. He was the author of the novel Hero, a delightful, empowering story about a gay teenage superhero.

Sure, the Kindle now lets you highlight and take notes, but there’s nothing like a well-worn, scribbled-over book. The Times examines the fading of marginalia and the importance of preserving the side-notes of Twain, Austen, and Whitman. I have to admit, I love highlighting and taking notes on books with my iPad, but I’d never be able to create an amazing stick figure swordfight flipbook in an e-Margin like I did with my seventh grade copy of The Hobbit.

Feb 17 2011 11:46 AM ET

A tiny horse is adorable. That is all you need to know about 'A Friend for Einstein: The Smallest Stallion'

Categories: Book Trailers

People find small things cute. Well, not all small things. I guess we’re not huge fans of insects and no one’s clamoring for pet phytoplankton, so maybe I should say small mammals. Then again, we shriek at the sight of bats and non-Ratatouille rats. Actually, you know what? Humans tend to be pretty fickle and arbitrary when it comes to what they determine to be cute. But I think we can all agree that a horse that is as tall as a cereal box fits the description. That’s why Disney Book Group is releasing A Friend for Einstein: The Smallest Stallion, a photobook hitting stores in April about said tiny stallion, the smallest ever born, and that’s also why we’re showing you the trailer. Enjoy the cuteness, you capricious flakes. READ FULL STORY »

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